Remembering the Master 长笛加钢琴

约翰-塞巴斯蒂安-巴赫（Johann Sebastian Bach）的合唱曲和独奏组曲启发了《追忆大师》。一般来说，动态和乐句由演奏者自行掌握，巴赫的手稿也是如此。没有即兴演奏经验的演奏者可以使用写好的长笛独奏。其中包括一些乐曲风格的即兴音乐惯用的乐句和发音标记。这首乐曲有三种可能的演奏方式。1. 2. 按照曲谱演奏，但在演奏曲谱中加入长笛独奏和即兴钢琴独奏。3. 如果钢琴演奏者没有即兴演奏的经验，可省略独奏部分的重复。紧接第 70 小节后的第二段结尾，使用写好的长笛独奏，然后紧接第 192 小节后的第二段结尾，同样使用写好的长笛独奏。高级

作曲家: Dobbins, Bill
乐器: flute and piano
出版社: advance music GmbH
原文简介:
The chorales and solo suites of Johann Sebastian Bach inspired Remembering the Master. In general, the dynamics and phrasing are left to the performers, as was the case in Bach's manuscripts. Performers with no experience in improvisation may use the written flute solos. These include some phrasing and articulation marks that are idiomatic to improvised music in the style of the piece. There are three possible ways of performing the piece. 1. Play as written, with the improvised solos in the order in which they are indicated.2. Play as written, but with the written flute solos and improvised piano solos.3. If the pianist has no experience in improvisation, omit the repeats in the solo sections. Take the second ending immediately after measure 70, using the written flute solo, then take the next second ending immediately following measure 192, again using the written flute solo. Advanced