Gymnopédie No. 1 萨悌 裸体战士舞吉诺佩迪 长笛加钢琴 朔特版

音乐界突然注意到了埃里克-萨蒂（1866-1925 年）： 他的芭蕾舞剧《游行》于 1917 年 5 月 18 日在全世界首演[参见 dt. 正文!]，引发了一场丑闻。谢尔盖-迪亚吉列夫（Sergey Diaghilev）和他的 "俄罗斯芭蕾舞团"、巴勃罗-毕加索（Pablo Picasso）（布景和服装）、让-科克托（Jean Cocteau）（故事）以及莱奥尼德-马辛（Léonide Massine）（编舞）参与了这部作品的制作，它分裂了巴黎的音乐界，却让作曲家广为人知。萨蒂几乎没有接受过任何扎实的音乐训练，他几乎一生都生活在巴黎，并有意摒弃了当时的 "瓦格涅里斯姆"（Wagnérisme），发展出一种新的音乐风格。古典形式模式、新和声、轻松风格、冥想和小丑元素以一种独创的方式融合在一起，1888 年的《3 首健身舞曲》就是一个完美的例子，其中第一首被编排为钢琴伴奏独奏曲： 因此，即使不是钢琴家，现在也能演奏萨蒂的这首著名小品。由于易于演奏，它还可用于教学目的"

作曲家: Satie, Erik
校订者: Birtel, Wolfgang
乐器: flute and piano
出版社: Schott Music
原文简介:
The music scene took notice of Erik Satie (1866-1925) all of a sudden: The world premiere of his ballet 'Parade' on 18 May 1917 [siehe dt. Text!] caused quite a scandal. The production which involved Sergey Diaghilev with his 'Ballets Russes', Pablo Picasso (scenery and costumes), Jean Cocteau (story) as well as Léonide Massine (choreography) divided the music scene of Paris, yet made the composer widely known. Satie who hardly had had any solid musical training and lived in Paris for almost all his life developed a new musical style, in deliberate rejection of the 'Wagnérisme' of his time. Classical form models, new harmonies, stylistic ease, meditative and clownish elements amalgamated in an original way, the perfect example being his '3 Gymnopédies' of 1888 the first of which was here arranged for a solo instrument with piano accompaniment: Thus, it is now possible, even for non-pianists, to play this famous miniature by Satie. Thanks to its easy playability, it can also be used for educational purposes.