gadji beri bimba 彼得版

雨果-波尔是苏黎世达达运动的创始人之一，他于1916年为苏黎世伏尔泰歌舞厅的一场演出写下了这首诗。这是一首无意义的诗，诗中的文字没有任何实际意义，只是构成了一连串荒诞的声音。1916 年 6 月 23 日，波尔在日记中写道Tin发明了一种新型诗歌，即 "无字诗 "或音韵诗，其中元音的分布完全根据首行的数值来决定和分配。他的诗歌是在一种近乎神圣的氛围中向惊奇的观众表演的，波尔在表演时故意表现得过于严肃和庄重。这种设置的意图并不是模仿诗歌的无厘头性质，而是提供一个背景框架，在此框架下，文本的荒谬性变得越来越明显"

作曲家: Klimek, Jens
出版社: Edition Peters
原文简介:
Hugo Ball was one of the founders of the Zurich Dada movement and wrote this poem for a performance at Zurich’s Cabaret Voltaire in 1916. A nonsense poem, its words have no actual meaning, merely constituting an absurd sequence of sounds. On 23 June 1916 Ball noted in his diary: Tinvented a new type of poetry, “poetry without words” or sound-poems, in which the distribution of vowels is decided and allotted solely based on the values of the initial row.’ The performance of his poem, to an astonished audience, took place in a quasi-sacred atmosphere, with Ball delivering his verses in a deliberately over-serious and solemn manner. The intention of this setting is not to mimic the nonsensical nature of the poem, but to provide a contextual frame against which the absurdity of the text becomes more and more evident.