Danzón Cubano 柯普兰 古巴舞曲 钢琴独奏 博浩版

亚伦-科普兰于 1942 年秋创作了《古巴舞曲》，作为庆祝作曲家联盟成立 20 周年的生日曲目。这首双钢琴曲的最初版本由伦纳德-伯恩斯坦和作曲家在 1942 年 12 月市政厅举行的 "向作曲家联盟致敬 "音乐会上首次演奏，后来由科普兰和利奥-斯密特录制成唱片，发行于音乐厅协会唱片公司。作曲家写道："Danzon 是古巴和其他拉丁美洲国家的一种著名舞蹈形式。但它不是一种快舞，不应与伦巴或康加混为一谈。它的功能类似于我们自己舞蹈中的华尔兹，为更生动的舞曲提供对比。古巴舞曲》是作曲家在数次访问古巴期间听到的旋律和节奏片段。Danzon Cubanon》通常分为两段，在主题上相互独立。这绝不是一首地道的舞曲，而只是美国游客对古巴舞蹈形式的印象"

作曲家: Copland, Aaron
校订者: Smit, Leo
乐器: piano
出版社: Boosey & Hawkes
原文简介:
Aaron Copland composed the Danzon Cubano in the fall of 1942 as a birthday piece to celebrate the 20th anniversary of the League of Composers. In its original form for two pianos, it was first played by Leonard Bernstein and the composer at the Town Hall testimonial Salute to the League of Composers in December 1942, and was later recorded by Copland and Leo Smit for Concert Hall Society Records. This new version for solo piano has been arranged by Leo Smit.Copland has scored the work for orchestra and the premiere of this version took place in 1946 by the Baltimore Symphony Orchestra, Reginald Stewart conducting.The composer has written:The danzon is a well known dance form in Cuba and other Latin American countries. It is not a fast dance, however, and should not be confused with the rhumba or conga. It fulfills a fuction rather similar to the waltz in our own dance, providing contrast for the more animated numbers. Its special charm is a certain naive sophistication, alternating in mood between passages of thythmic precision and a kind of non-sentimental sweetness.The Danzon Cubanon is based on melodic and rhythmic fragments heard by the composert during several visits to Cuba. The danzon is normally constructed in two halves, which are thematically independent. This is in no sense intended to be an authentic danzon, but only on American tourist's impression of an absorbing Cuban dance form.