The Break Mastering the Middle Register of the Clarinet 竖笛

跨越断层 "可能会让正在成长的单簧管演奏家感到沮丧。断奏是掌握单簧管演奏中这一重要步骤的逻辑指南。该方法分为两部分： 第一部分内容：单簧管泛音系列--新的音符名称如何与之前学习的指法相联系；如何将 "右手向下 "作为一种发展技巧；一个八度的音阶跨越断奏；单簧管音区的第一段旋律，教授高级演奏所需的基本音乐概念。第二部分内容：从帕斯夸莱-博纳（Pasquale Bona）的《节奏衔接》（Rhythmical Articulation）中选取并编辑的单簧管学习内容，说明学生为高年级演奏做好准备。节奏衔接》最初是为帮助歌手提高节奏和音准而编写的"

作者: Paula Corley
乐器: Clarinet
出版社: Southern Music Co.
原文简介:
“Crossing the break” can be a source of frustration for developing clarinetists. The Break is a logical guide for mastering this important step in clarinet performance. The method is divided into two parts: Part I contents: the clarinet overtone series – how new note names attach to previously learned fingerings; how to incorporate 'right hand down' as a developmental technique; one octave scales across the break; first melodies in the clarion register that teach basic musical concepts needed for advanced performance. Part II contents: studies from Rhythmical Articulation by Pasquale Bona, selected and edited for clarinet to prepare students for upper level performance. Rhythmical Articulation was originally written to assist singers with rhythmical and pitch accuracy.

Range: The range is appropriate for developing clarinetists (low B to B just above the treble staff). Third-line B natural is often referred to as “the break” because it is the note where the register key is added to produce the middle register. These studies and exercises center around third-line B natural and provide a means to develop smooth connections between the lower and middle registers of the clarinet.

Technique: The studies have been adapted for clarinet to cover nine key signatures. Appropriate articulations, dynamics, and expressive markings have been added to reflect common practice in the classical style. Advanced rhythms and time signatures are introduced with moderate tempos. Musical terms have been added to identify phrases and suggest expression. The Break also includes an introduction to the altissimo register.
难易度: 2