Fantasia La Traviata 幻想曲 竖笛

19世纪，人们对意大利歌剧的热情是现场表演永远无法满足的。在没有留声机和收音机的情况下，器乐演奏蓬勃发展，而作曲家们往往本身就是演奏家，他们在最受欢迎的咏叹调中找到了自己的变奏曲素材。下面就是一个杰出的例子： 多纳托-洛夫雷格里奥（Donato Lovreglio，1841-1907 年）是长笛演奏家，他为自己的乐器创作了许多作品，主要是歌剧幻想曲，以及一些单簧管作品。在歌剧《茶花女》幻想曲中，他展示了自己创作变奏曲的非凡能力，这些变奏曲在提供炫目音符的同时，仍忠实于激发其灵感的威尔第咏叹调的特点"

作曲家: Donato Lovreglio
乐器: Clarinet
出版社: Chester Music
原文简介:
The nineteenth century saw an enthusuasm for Italian opera which live performance could never satisfy. In the absence of gramophone and radio the instrumental transcription flourished, and composers, often themselves virtuoso performers, found in the most popular arias ready material for their own sets of variations. Here is an outstanding example: Donato Lovreglio (1841-1907) played the flute and composed many pieces for his own instrument, mainly operatic fantasias, as well as a few for the clarinet. In Fantasia on the opera 'La Traviata' he demonstrates his remarkable ability to write variations, which, whilst providing a dazzling display of notes, nevertheless remain faithful to the character of the Verdi arias which inspired them.