Preludio #1 竖笛 1把以上加钢琴
前奏曲 1 号和 2 号》所附的献词表明了作者对其昔日老师和大师--古巴着名单簧管演奏家罗伯托-桑切斯-洛佩斯（Roberto Sánchez López，1914-1987 年）、恩里克-帕尔多-富恩特斯（Enrique Pardo Fuentes，1905-1996 年）和胡安-J-容科（Juan J. Junco，1913-2001 年）--的钦佩和敬意。这些作品是为降B调单簧管和钢琴而创作的二重奏，是当代古巴室内乐多样化创作倾向的典范之一，要求展现两位乐器演奏家的各种技术和诠释可能性。 这些作品的特点是使用多调性、同时应用各种模式以及单簧管与钢琴之间建立的复杂多节奏段落；然而，它们也显示出那些巨大的音程跳跃以及即兴或快板式的片段，决定了单簧管的旋律论述。在后者中，"非洲舞曲"（canción afro）和 "儿子舞曲"（son）以其独特的旋律音调方式和典型的连贯与迭加。因此，如何恰当、悦耳地演奏和诠释这些前奏曲，对音乐家来说是一项极具吸引力和诱惑力的挑战。安娜-V-卡萨诺瓦（音乐学家）
作曲家: Zalba, Javier
乐器: clarinet and piano
出版社: advance music GmbH
原文简介:
The dedications accompanying Preludio No. 1 and No. 2 show the authors admiration and respect towards his former teachers and masters, the eminent Cuban clarinetists Roberto Sánchez López (1914 1987), Enrique Pardo Fuentes (1905 1996) and Juan J. Junco (1913 2001), who also stand out as composers and, especially, as notable pedagogues teaching this instrument to several generations of Cuban musicians.Contrived as duos for Bb clarinet and piano, these pieces are exemplary of one of the diversified creative tendencies within contemporary Cuban chamber music, demanding the revelation of the varied spectrum of technical and interpretative possibilities of both instrumentalists.These compositions feature the use of polytonality, the simultaneous application of various modes and complex polyrhythmic passages established between the clarinet and the piano; yet, they also show those huge intervallic leaps and the existence of fragments of improvisational or cadence-like character determining the clarinets melodic discourse.Their style is not only sustained by the specific characteristics and complex traits peculiar to contemporary concert music, but also by latin jazz and the distinct manifestations of Cuban popular and folkloristic music. Among the latter, the canción afro and the son stand out by their singular ways of melodic intonation and their typical concatenations and superpositions of sincopes. Achieving an appropriate and pleasing execution and interpretation of these preludes will therefore represent an attractive and tempting challenge to the musicians.Ana V. Casanova (Musicologist)