Concert Pieces Op. 113 and 114 for Clarinet, Basset Horn (or 2 Clarinets) and Piano音乐会曲 法国号 竖笛(含钢琴伴奏) 亨乐版

用最喜欢的菜肴换取最喜欢的音乐"--这句话完美地概括了 "钢琴协奏曲 "的起源。1832 年，单簧管演奏家海因里希-约瑟夫-贝尔曼（Heinrich Joseph Baermann）和他的儿子卡尔（Carl，同时也是低音号演奏家）在拜访费利克斯-门德尔松-巴托尔迪（Felix Mendelssohn Bartholdy）时，达成了一个非常奇特的协定：他们向作曲家朋友许诺，如果门德尔松能为他们写一首曲子，让他们在巡回演唱会上使用，他们就会大吃一顿门德尔松为之疯狂的 "Dampfnudeln"（蒸饺）和 "Rahmstrudel"（甜奶酪馅饼）。以这种方式创作的《f 小调钢琴协奏曲》不久后又推出了第二首《d 小调钢琴协奏曲》。这两首作品都非常出色，将单簧管家族中两种乐器的独特音色和演奏技巧表现得淋漓尽致

作曲家: Felix Mendelssohn
校订者: Frank Heidlberger
乐器: Clarinet; Piano; Bassetthorn
出版社: G. Henle Verlag
原文简介:
“Favorite dish in exchange for favorite music” - this perfectly summarizes the genesis of the Konzertstücke. When the clarinettist Heinrich Joseph Baermann and his son Carl, who also played the basset horn, stopped to pay a visit to Felix Mendelssohn Bartholdy in 1832, they came to a most curious agreement: they promised their composer friend a generous portion of “Dampfnudeln” (steamed dumplings) and “Rahmstrudel” (sweet-cheese strudel) that Mendelssohn was mad about, if he were to write a piece for them which they could use on their concert tours. The Konzertstück in f minor that originated in this fashion was followed shortly afterwards by a second one in d minor. Both are extremely effective works which wonderfully bring out the unique sound and performance technique of the two instruments from the clarinet family.