Clarinet Concerto 莱纳．卡瑞尔 协奏曲 竖笛加管弦乐团 朔特版

为低音单簧管、弦乐和打击乐器创作的协奏曲是一部相当短小的作品，共分三个乐章，整体上清晰明了，编排合理，两种乐器的功能都很明确，甚至钢琴的部分也不只是伴奏。作品音色细腻，最能体现低音单簧管独奏的特点。简短的第一部分强调了节奏和活力元素，但另一首慢板乐曲在思想上是最重要的。它有意封闭了空间，带来了戏剧性的紧张感，与终曲的松弛和俏皮灵动截然相反。这些协奏曲的灵感来自低音单簧管演奏家约瑟夫-霍拉克（Josef Horák）的艺术，他的演奏技巧和表现力都非常出众。这些作品就是献给他的。作曲家于 1966 年 2 月至 7 月间创作了这些作品。低音单簧管、弦乐和打击乐器协奏曲》的原始版本于 1967 年 3 月 8 日在布拉格 "新作品周 "期间首次公演（约瑟夫-霍拉克、由 Jirí Stárek 指挥的 FOK 交响乐团，唱片由 Panton 出版）。1967 年 4 月 23 日，约瑟夫-霍拉克和埃玛-科瓦诺娃（Due Boemi）在德国维滕首次推出了这部作品的钢琴版本"

作曲家: Reiner, Karel
乐器: bass clarinet and orchestra
出版社: Schott Music

曲目:
Allegro energico - Sostenuto. Poco grave - Allegro assai

原文简介:
The concerto for bass clarinet, string and percussion instruments represents a rather short work in three movements, on the whole transpicuous and well-arranged, with precisly defined function of both instruments, even the piano the part of which is by far not only accompanying. The sound of the work is subtle, which best answers the character of the solo bass clarinet. Its brief first part stresses rhythmic-energetic elements, but the other composition, a slow one, is intellectually the most important. Intentionally closed space, it is bringing forth dramatic tension, contrary to the looseness and playful mobility of the finale. An inspiration to these concerto compositions was the art of the bass clarinetist Josef Horák, most extraordinary in both technique and expression. They are dedicated to him. The composer was writing them in February to July 1966. In the original version, the Concerto for Bass Clarinet, Strings and Percussion Instruments was for the first time performed on 8th March 1967 during the Week of New Production in Prague (Josef Horák, the Symphonic Orchestra FOK under the baton of Jirí Stárek, recorded on a disc published by Panton). In its piano version the work was for the first time introduced on 23rd April 1967 at Witten (Germany) by Josef Horák and Emma Kovárnová (Due Boemi).