Chopin: Scherzos, Opp. 20, 31, 39, 54 肖邦 诙谐曲
弗雷德里克-肖邦的回旋曲是钢琴曲目的主打曲目。在这些作品中，肖邦摒弃了古典时期轻快的回旋曲形式，捕捉到了强烈的情感。第一号回旋曲，作品 20，创作于 1830 年至 1831 年之间，与他的 Études, 作品 10 和 Ballad No.第二号回旋曲，作品 31，创作于 1835 年至 1837 年之间。这首曲子可能是整套作品中最著名的一首，开头是一个令人难忘的低沉、疑问的音符，随后是戏剧性的、响亮的和弦。作品 39 中的第 3 号回旋曲创作于 1839 年，当时肖邦正在马略卡岛进行冬季旅行。这首曲子是献给肖邦的学生阿道夫-古特曼的。第四号回旋曲，作品 54，作于 1842 年。这本新雕版经过深入研究，对早期数据进行了比较，包括第二号和第四号小夜曲的两份现存手稿。肖邦的指法是从他的学生们使用的复制品中保留下来的（用斜体标出），也包括了编辑的指法建议。序言部分包括评论性说明和演奏建议、对揉弦的讨论以及肖邦装饰音的例子和实现建议。约瑟夫-巴诺维茨被《Fanfare Record Review》（美国）称为当代键盘艺术家中的巨人，被《Ruch Muzyczny》（华沙）称为最高贵的演奏家。他的独奏和管弦乐独奏足迹遍布五大洲 35 个国家。巴诺维茨在国际上发行了超过 35 张商业唱片，其中两张获得格莱美入围提名。巴诺维茨毕业于维也纳音乐与戏剧艺术学院。他的老师包括卡尔-弗里德贝格（克拉拉-舒曼的学生）和捷尔吉-桑多尔（贝拉-巴托克的学生）。目前，巴诺维茨是北得克萨斯大学音乐学院钢琴演奏教授。欲了解更多信息，请访问 www.jmbanowetz.com.This 版荣获 2017 年音乐出版商协会保罗-雷维尔优秀图文奖"
作曲家: Chopin Frédéric
校订者: Joseph Banowetz
乐器: Piano
出版社: Alfred Music
难度: Advanced;
风格: Masterwork
原文简介:
Frédéric Chopin's Scherzos are a staple of the piano repertoire. In them, Chopin abandons the lighthearted scherzo form of the Classical period to capture powerful emotions. Scherzo No. 1, Op. 20, was composed between 1830 and 1831, around the same time as his Études, Op. 10, and Ballad No. 1 in G Minor, Op. 23. Scherzo No. 2, Op. 31, was composed between 1835 and 1837. It may be the most famous of the set, and has a memorable opening of hushed, questioning notes followed by dramatic, loud chords. Scherzo No. 3, Op. 39, was composed in 1839 while Chopin was on a winter trip to Mallorca. It was dedicated to Chopin's pupil Adolf Gutmann. Scherzo No. 4, Op. 54, was composed in 1842. It is the only Scherzo in a major key.This newly engraved edition has been thoroughly researched, with comparisons made between early sources, including the two existing manuscripts for Scherzos 2 and 4. Chopin's fingerings, which have been preserved from copies used by his students, have been included (marked in italics), as well as editorial fingering suggestions. Prefatory matter includes critical notes and performance suggestions, discussion of rubato, and examples of Chopin's ornamentation with suggested realizations. Detailed analysis of the form of each Scherzo is also provided.Joseph Banowetz has been described in Fanfare Record Review (U.S.) as "a giant among keyboard artists of our time" and by Ruch Muzyczny (Warsaw) as "a virtuoso in the noblest sense of the word." He has been heard as recitalist and orchestral soloist on five continents, in over 35 countries. Banowetz has internationally released over 35 commercial recordings, two of which have received finalist Grammy nominations. Banowetz is a graduate from the Vienna Academy for Music and Dramatic Arts. Among his teachers have been Carl Friedberg (a pupil of Clara Schumann's) and György Sándor (a pupil of Béla Bartók's). Currently, Banowetz is Professor of Piano Performance at the College of Music of the University of North Texas. For more information, visit www.jmbanowetz.com.This edition is a winner of the 2017 Music Publishers Association Paul Revere Awards For Graphic Excellence.