Complete Cello Technique: The Classic Treatise on Cello Theory and Practice 大提琴

未经删节的迪兰-亚历山大尼安（Diran Alexanian）1922 年的经典之作《大提琴理论与实践》（Traité théoretique et pratique du Violoncelle）再版，被认为是文献中对大提琴演奏和技巧最深入的探讨之一。该书由原版双语版再版（法语和英语教学内容并列在页面上），并配有大量照片、图表和乐曲示例，是学生和成长中的专业人士学习大提琴的绝佳教材。阿列克萨尼扬曾与勃拉姆斯一起演奏室内乐，与马勒一起演奏协奏曲，在巴黎与卡萨尔斯并肩执教，并见证了卡萨尔斯极具影响力的理念对传奇大提琴家格雷戈尔-皮亚蒂戈尔斯基等人职业生涯的影响，他在序言中对卡萨尔斯给予了极高的评价：.............[在......这本唯一的同类作品中，......即使经验丰富的演奏家也会发现......启发思考的食粮。曼哈顿音乐学院弦乐系主任 David Geber 教授为多佛尔版所作的序言。该作品由 A. Zunz Mathot 于 1922 年在巴黎出版，未经删节

作曲家: Diran Alexanian
乐器: Cello
出版社: Dover Publications
原文简介:
An unabridged republication of Diran Alexanian's 1922 classic, Traité théoretique et pratique du Violoncelle--considered one of the most thorough explorations of cello playing and technique in the literature. Reprinted from the original dual-language edition (French and English instruction side-by-side on the page), with numerous photographs, diagrams, and music examples, it is a superb compendium of instruction for student and growing professional alike. Alexanian--who played chamber music with Brahms, performed concertos with Mahler, taught alongside Casals in Paris, and saw his influential ideas shape the careers of such cellists as the legendary Gregor Piatigorsky--received the highest praise of Casals in his preface: " . . . [in] the only work of its kind . . . even experienced virtuosos will find . . . food for instructive meditation." Introduction to the Dover edition by Prof. David Geber, Chairman of Strings, Manhattan School of Music. Unabridged republication of the work originally published by A. Zunz Mathot, Paris, 1922.