Paganini-Variations Op. 35 布拉姆斯 钢琴 亨乐版

在 19 世纪，尼科洛-帕格尼尼是演奏家的化身。许多作曲家将他的音乐主题用于自己的创作。约翰内斯-勃拉姆斯（Johannes Brahms）同样毫不犹豫地将小提琴演奏家帕格尼尼的作品作为自己钢琴作品的基础，使用帕格尼尼的《A 小调随想曲第 24 号》（Capriccio no. 帕格尼尼作品 1 中的 A 小调随想曲第 24 号作为模板。创作于 1862/63 年的这首变奏曲最初只是勃拉姆斯自己的 "手指练习曲"，他无意将其出版。幸运的是，几年后他做出了相反的决定，因此，勃拉姆斯的钢琴爱好者们可以通过这个Urtext版本欣赏到这首不同寻常的大师级作品。与肖邦、舒曼和李斯特的同主题变奏曲相比，勃拉姆斯的变奏曲提供了更丰富、更新颖的钢琴变奏谱系。至于演奏家们是否像克拉拉-舒曼一样认为这些变奏曲是 "巫婆的变奏曲"，那就是他们自己的事了

作曲家: Johannes Brahms
校订者: Hans Kann
乐器: Piano
出版社: Henle Urtext Edition

曲目:
Brahms: Paganini-Variations op. 35

原文简介:
In the 19th century, Nicoló Paganini was the embodiment of the virtuoso. Many composers used his musical themes for their own creative work. Johannes Brahms likewise did not hesitate to use work by Paganini the violin virtuoso as the basis for a composition for his own instrument, the piano, using the Capriccio no. 24 in A minor from Paganini's op. 1 as his model. Brahms initially viewed the Variations, composed in 1862/63, merely as a “finger exercise” for himself, and had no intention of publishing them. After several years he fortunately decided otherwise, and thus with this Urtext edition pianists who are Brahms afficionados can enjoy an unusual virtuoso masterpiece. In contrast to the variations on the same theme by Chopin, Schumann and Liszt, those by Brahms offer a much richer, more novel spectrum of pianistic variations. Whether players find them to be “witches' variations”, as did Clara Schumann, is a matter for them.