Morsima-Amorsima ST/4-1, 030762 瑟纳基思 钢琴四重奏 博浩版

标题解释"Moros" = 命运，死亡。Morsima"="命运"。"Amorsima"（"a "是否定语气词）= 不是来自命运的东西。该作品采用了与 ST/10 相同的程序，但使用了不同的乐器组合。这部作品是由巴黎的 7090 IDM 电子脑按照谢纳基思设计的特殊随机（概率论）"程序 "计算出来的。该 "程序 "源于《Achorripsis》中提出的 "作曲最低规则 "理论，但直到四年后才在法国 IBM 公司实现了 "机械化"。这个 "程序 "是作曲家多年来在音乐创作中引入的随机法则的综合体。他命令电子脑逐一确定先前计算出的序列中的所有声音。首先是出现的时间，其次是音色的种类（琶音、拨弦、滑音等）、乐器、音高、出现滑音时的渐变、声音发射的持续时间和动态"

作曲家: Xenakis Iannis
乐器: violin, cello, double bass and piano
出版社: Boosey & Hawkes
原文简介:
Explanation of the title: “Moros“ = Fate, death. “Morsima” = that which comes from Fate. “Amorsima” (“a” being the negative particle) = that which does not come from Fate. The work is the result of the same programme as for ST/10 but for a different combination of instruments. The work was calculated by the electronic brain 7090 IDM in Paris in obedience to a special stochastic (probabilist) “programme” devised by Xenakis. This “programme” was derived from the thesis of “Minimum rules of Composition”, which had already been formulated in “Achorripsis”, but it was not until four years later that it became possible to have it “mechanised” at IBM-France. The “programme” is a complex of stochastic laws which the composer had been introducing into musical composition for a number of years. He orders the electronic brain to define all the sounds of a sequence, previously calculated, one after the other. First, the time of its occurrence, next its kind of timbre (arco, pizzicato, glissando, etc.), its instrument, its pitch, the gradient of its glissando where that occurs, the duration and dynamic of the emission of sound.