In 27 Pieces The Hilary Hahn Encores 小品 小提琴加钢琴 博浩版
筹备多年的《希拉里-哈恩音乐会》收录了 27 位作曲家为 2013 年同名 CD 创作的 27 首作品。该出版物由希拉里-哈恩精心编辑。哈恩女士写道："我对这一体裁的未来以及作曲家可能希望如何重新定义这一形式很感兴趣。当我想象着一套新颖的最喜爱的微型乐曲，以当今作曲家的作品为蓝本时，一个委托创作的想法就在我脑海中萌生了。26 位不同年龄和国籍的作曲家同意按照规定的准则为该项目创作作品。我给了他们两个参数：每首曲子应在五分钟以内，并且为原声小提琴和钢琴而作。 第二十七首作品来自一次比赛，有四百多件作品参赛，哈恩女士通过盲审程序对这些作品进行了审查，最终选出了一首作品。"每一首安可曲都是新鲜的，摆脱了传统的诠释方式，每首曲子都使用了不同的语言。我最初的创作过程充满了尝试和错误。我对技巧和乐句进行分解，直到从最基本的层面上理解它们。很多时候，我被逼到了极限。然而，随着音乐逐渐形成自己的风格，这些作品蜕变成了辉煌、有力、闪烁、美丽的艺术品。其中包括作曲家的传记和每位作曲家对其安可曲的评论"
编者: Hahn, Hilary
乐器: violin and piano
出版社: Boosey & Hawkes
曲目:
Franghiz Ali-Zadeh: Impulse - Somei Satoh: Bifü (Breeze) - Du Yun: When a Tiger Meets a Rosa Rugosa - David Lang: light moving - Bun-Ching Lam: Solitude d'automne - Paul Moravec: Blue Fiddle - Antón García Abril: Tercer Suspiro (Third Sigh) - Avner Dorman: Memory Games - David Del Tredici: Farewell - Mason Bates: Ford's Farm - Einojuhani Rautavaara: Whispering - Gillian Whitehead: Törua - Richard Barrett: shade - Jennifer Higdon: Echo Dash - Christos Hatzis: Coming To - Jeff Myers: The Angry Birds of Kauai - Mark-Anthony Turnage: Hilary's Hoedown - Valentin Silvestrov: Two Pieces - Kala Ramnath: Aalap and Tarana - Lera Auerbach: Speak, Memory - Tina Davidson: Blue Curve of the Earth - Elliott Sharp: Storm of the Eye - Michiru Oshima: Memories - James Newton Howard: 133...At Least - Nico Muhly: Two Voices - Søren Nils Eichberg: Levitation - Max Richter: Mercy
Years in preparation, The Hilary Hahn Encores presents the 27 works from 27 composers written for the 2013 CD of the same title. The publication has been closely edited by Hilary Hahn.Ms. Hahn writes, I was intrigued by the future of the genre and how composers might wish to redefine the form. When I pictured a novel set of favorite miniatures catching on pieces crafted by today's minds the idea of a commissioned-encores project planted itself in my head.Twenty-six composers of various ages and nationalities agreed to create pieces for the project, following the guidelines set forth. I gave them two parameters: each piece should be under five minutes and for acoustic violin and piano. The twenty-seventh work came from a competition, with more than four hundred entries which were reviewed by Ms. Hahn through a blind process before one piece was chosen.Every one of these encores was fresh, free of interpretive tradition, and each spoke a different language. My initial process was full of trial and error. I broke down techniques and phrases until I understood them on the most fundamental levels. Often, I was pushed well past my limits. As the music came into its own, however, the pieces metamorphosed into brilliant, powerful, scintillating, beautiful works of art. They compelled me to discover new layers of expression.Included are composer biographies and commentary from each composer about her or his encore.