Piano Sonata No. 14 in C-sharp minor, Op. 27, No. 2 (Moonlight) 贝多芬 月光 钢琴奏鸣曲 亨乐版

奏鸣曲准幻想曲"是贝多芬给它起的名字，然而音乐界却把它称为 "月光奏鸣曲"--作曲家生前就已经有了这个称谓。"1823 年，路德维希-雷尔斯塔布（Ludwig Rellstab）在第一乐章中写道："在黄昏的月光下，湖面静静地躺着；波浪拍打着黑暗的堤岸。"威廉-冯-伦茨（Wilhelm von Lenz）写道："在镰刀般的月光下，我们仿佛看到了孤寂平原中央的一座合葬墓。正如默里-佩拉希亚（Murray Perahia）和诺贝特-格茨（Norbert Gertsch）在本版序言中根据最新研究解释的那样，贝多芬可能受到了伊奥利亚竖琴音色的影响。佩拉希亚还提供了指法"

作曲家: Ludwig van Beethoven
校订者: Murray Perahia
乐器: Piano
出版社: Henle Urtext Edition
原文简介:
Sonata quasi una fantasia was the title given to it by Beethoven, and yet the world of music knows it as the Moonlight Sonata – an epithet that was already around during the composer's lifetime. “The lake rests quiet under the light of the moon at twilight; the wave thuds against the dark bank,” wrote Ludwig Rellstab on the 1st movement in 1823. “It is as if we catch sight of a collassal grave in the middle of a lonely plain, palely lit by the sickle moon,” was what Wilhelm von Lenz wrote. Beethoven might have been influenced by the sound of the Aeolian harp, as Murray Perahia and Norbert Gertsch explain in the introductory texts to this edition, referring to the latest research. Perahia also provided the fingerings.