Etudes Op. 18 Piano Solo 巴尔托克 钢琴 练习曲 亨乐版

通过这三首研究曲，巴托克有意在 1918 年的新音乐中留下自己的印记。第一首研究曲是一种超强、激烈的快板，而第二首则有如流动的瀑布，似乎是受德彪西启发而创作的挽歌。相比之下，第三乐章则明显受到了勋伯格的影响。后者在维也纳举办的 "私人音乐演奏会 "也是上世纪二十年代巴托克这首对演奏者和听众都要求极高的乐曲被多次演奏的少数场合之一。该书于 1918 年由 Universal Edition 出版，初版很快售罄，第二版已于 1921 年发行。拉斯洛-索姆法伊的Urtext版以《巴托克全集》的音乐文本为基础，除了关于作品起源的精彩序言外，还对演奏提出了有趣而实用的建议"

作曲家: Bela Bartok
校订者: László Somfai
乐器: Piano
出版社: Henle Urtext Edition
原文简介:
With these three studies Bartók quite deliberately aimed to leave his mark on New Music in 1918. The first study is a kind of super-charged, motorically vehement Allegro barbaro, while the second, with its effervescent waterfalls of sound, seems redolent of an elegy inspired by Debussy. In the third, by contrast, Schönberg's influence is recognizable. The latter's “Private Musical Performances” in Vienna were also among the few occasions in the 1920s where Bartók's supremely demanding cycle - for performers and for listeners - was played multiple times. Published by Universal Edition in 1918, the initial printing of the first edition was sold out so quickly that a second was already issued in 1921. László Somfai's Urtext edition is based on the musical text of the Bartók Complete Edition and, in addition to an exciting preface on the origins of the piece, features interesting, practical suggestions for performance as well.

Joint publishing venture with Editio Musica Budapest