Sonata V für Klavier 奏鸣曲 骑熊士版

第五钢琴奏鸣曲》创作于 1974 年。在风格上，这首钢琴奏鸣曲与 20 世纪 60 年代完成的作品有所不同，后者综合了菲舍尔自己的音乐语言和新音乐的刺激。除最后一段外，这首奏鸣曲只使用了降B-B-C-C-F-F-F-G调式，该调式于 1965 年在《丢勒启示录后的十五幅版画》中首次以缩小的六音阶形式使用。从形式上看，这首乐曲由简短的重复的旋律构成了对比鲜明的短小乐段。作曲家通过对主题和表现材料的最少使用，实现了有效的戏剧性缩写，这种缩写在 20 世纪 60 年代的作品中达到了顶峰。只有在最后的抒情部分才放弃了这种音乐处理方式，这预示着费泽尔音乐语言的未来发展，导致其简化和整体戏剧性的减弱"

作曲家: Fišer, Luboš
乐器: for Piano
出版社: Bärenreiter 骑熊士(小熊版)
原文简介:
Piano Sonata No. 5 was written in 1974. Stylistically, it moves on from works completed in the 1960s which betray a synthesis of Fišer's own musical language and the stimuli of New Music. With the exception of the final passage, the sonata exclusively applies the mode B flat-B-C-C sharp-F-F sharp-G, which was first used in a narrowed six-note form in 1965 in Fifteen Prints after Dürer's Apocalypse. Formally, the piece is arranged into short contrasting sections which are created from brief repetitive ostinato motifs. With minimal use of thematic and expressive material, the composer achieves effective dramatic abbreviation of the kind which culminated in works from the 1960s. This musical treatment is abandoned only in the final, lyrical part, which anticipates the future development of Fiser's musical language, leading to its simplification and overall dramatic reduction.

Piano Sonata No. 5 was first published in 1996 by Bärenreiter Editio Supraphon Prague, in a re-print of a transcription provided by the Czech Music Fund in whose preparation the composer was also involved at the time. The new edition consistently adheres to this authorised copy of the work, while confining itself to the correction of several apparent omissions and errors.