Violin Spaces Contemporary violin studies 小提琴速度小提琴 小提琴独奏 朔特版

这八首乐曲常常以幽默的方式演奏，并始终注重音乐的表现力，是每位小提琴家练习演奏技巧、提高实验热情和享受演奏乐趣的完美之选。(Carolin Widmann) "这本小提琴音乐会练习曲集探讨了通常所说的 "扩展技巧"。这些技巧在古典音乐中大多处于次要地位，但经过不断发展，现已占据音乐的主要地位。每项研究都集中在一种技巧上，研究它在技术上是如何运作的，并探索它在音乐上的可能性。之所以称其为 "空间"，是因为它们不仅是音乐会曲目，还旨在为围绕这些技巧的探索、讨论和即兴创作开辟空间。同时，它们也是为了让演奏、练习和聆听变得愉快。这些 "空间 "绝非专为当代音乐专家准备的复杂技巧的深奥手册，而是旨在帮助所有小提琴家以一种充满乐趣和想象力的方式探索乐器的可能性，并发现一些对他们演奏各种风格的音乐都会产生切实积极影响的声音和技巧。我们都可以通过打开周围的空间来扩展我们的技巧，并将其发挥到极限。小提琴空间》献给迪亚曼达-德拉姆，她的才华、热情、建议和回馈对我构建这些'空间'提供了巨大的帮助。(加斯-诺克斯）

作曲家: Knox, Garth
乐器: violin
出版社: Schott Music
原文简介:
Often in a humoristic manner and always with musical expression in focus, these eight pieces are perfect for every violinist to practice playing techniques and to enhance the enthusiasm to experiment and the joy of playing. (Carolin Widmann)'This collection of concert studies for violin explores what are often referred to as “extended techniques”. These are for the most part techniques which are already present in classical music in a secondary role, but which have now, through continuous development, come to occupy a musical place of primary importance. Each of the studies concentrates on a single technique, investigating how it works technically, and exploring its musical possibilities. They are called “Spaces” because as well as being concert pieces, they are intended to open up spaces for exploration, discussion and improvisation around these techniques. They are also intended to be enjoyable to play, to work on and to listen to. Far from being an esoteric handbook of complex techniques reserved for contemporary music specialists, these “Spaces” are designed to help all violinists to explore, in a playful and imaginative way, the possibilities of their instrument and to discover some sounds and techniques that will have very tangible positive effects on their playing of all styles of music. We can all extend our techniques by opening up the space around them and taking them to their limits. The Violin Spaces are dedicated to Diamanda Dramm, whose talent, enthusiasm, suggestions and feedback were an enormous help to me in the construction of these ”Spaces”.' (Garth Knox)