Variations op. 5 for cello and orchestra (1961-62) 萨利能 变奏曲 大提琴管弦乐团 总谱 芬尼卡·盖尔曼版

奥利斯-萨利宁（生于 1935 年）是芬兰当代最著名的作曲家之一。在早期的器乐作品中，萨利宁仍在寻求建立自己的风格。20世纪50年代末，他曾在西贝柳斯学院学习，先是师从阿勒-梅里坎托（Aarre Merikanto）--一位代表新古典主义国家品牌的作曲家，然后又师从约纳斯-科科宁（Joonas Kokkonen），当时他刚刚从新古典主义过渡到十二音调。十二音调音乐在芬兰当代音乐中获得了相当广泛的认可，萨利宁也受到了影响。变奏曲》是萨利宁第一部真正意义上的大提琴作品--这种乐器后来成为他的最爱之一，其温暖、深沉的嗓音与他音乐中经常出现的黑暗暗流相呼应。《大提琴与乐队变奏曲，作品 5》创作于 1961-1962 年，首演于 1962 年 10 月。变奏曲的基本主题由一组由大提琴演奏的三个下降音程组成： D-D平F、C-B-G和B平A-F锐。使用这三个音程作为基本素材，反映了作曲家以十二音阶为主的时期，而这一素材的变奏则为乐曲提供了框架。大提琴与管弦乐队变奏曲》是首次出版，其中包括大提琴与钢琴缩写本、学习乐谱以及与管弦乐队合作的完整演奏材料"

作曲家: Sallinen, Aulis
乐器: cello and orchestra
出版社: Fennica Gehrman
原文简介:
Aulis Sallinen (b. 1935) is one of the most famous Finnish contemporary composers. In his early instrumental works, Sallinen was still seeking to establish a style of his own. He had studied at the Sibelius Academy in the late 1950s, first with Aarre Merikanto - a composer representing a national brand of Neoclassicism - and then with Joonas Kokkonen, at that time just transitioning from Neoclassicism to dodecaphony. Twelve-tone music had won fairly widespread acceptance in contemporary Finn-ish music, and Sallinen was influenced, too. The Variations are Sallinen's first real work for the cello - an instrument that would later be one of his favourites, its warm, deep voice corres-ponding to his music's often dark undercurrent.The Variations for Cello and Orchestra, Op. 5 were composed in 1961-1962 and premiered in October 1962. The basic motif consists of a set of three descending intervals stated by the cello at the beginning: D-D flat-F, C-B-G and B flat-A-F sharp. Their use as basic material is a ref-lection of the composer's dodecaphony-oriented period, and variation of this material provides the framework for the piece.Variations for Cello and Orchestra are now published for the first time. Available are a reduction for cello and piano, study score and complete performance material with orchestra.