Two Sketches (1), For Flute And Piano 长笛 钢琴

菲利普-高贝（Philippe Gaubert，1879-1941 年）是一位杰出的长笛演奏家。因此，他为长笛创作的作品成为长笛曲目中的佼佼者也就不足为奇了，他的《两首素描》也不例外。 作为巴黎歌剧院的长笛演奏家，高贝的职业生涯十分辉煌，之后，他被任命为巴黎音乐学院的长笛教授，并担任主要交响乐团的首席指挥。正是在此期间，高贝开始创作，其中包括由两个乐章组成的《长笛与钢琴的两个素描》。其中第二乐章 "东方 "传达了许多技术特征，包括繁盛的半音阶段落、宽广的音域、抒情性、音程、半音阶和复杂的节奏。对于有抱负的长笛演奏家来说，《东方--选自两首素描》是一首具有挑战性但又令人兴奋的作品""

作曲家: Philippe Gaubert
乐器: Flute
出版社: Alphonse Leduc

曲目:
Two Sketches

原文简介:
“Philippe Gaubert (1879-1941) was a distinguished performer on the Flute. It comes as no surprise, therefore, that his compositions for the instrument are at the forefront of the Flute's repertoire, his Two Sketches being no exception. After a prominent career as a flautist with the Paris Opéra, Gaubert was appointed as professor of Flute at the Paris Conservatoire as well as principal conductor of leading orchestras. It was during this time that Gaubert composed, including his Two Sketches for Flute and Piano, which is made up of two movements. The first of these, Night on the Plain, conveys many technical features, including flourishing semiquaver passages, a wide range, lyricism, intervals, chromaticism and complex rhythms. Night on the Plain from Two Sketches is a challenging yet exciting piece for aspiring flautists.”