Suite op. 16 组曲 长笛加钢琴 齐默尔曼版

优雅内敛的空气在甜美优美和抒情斯拉夫旋律的轻柔忧郁之间转换，与轻快欢快的小步舞曲、塔兰特拉舞曲乐句、广阔的发展，尤其是在副歌乐句中强有力的高潮并列。在组曲的第三乐章中，任性的长笛主题和钢琴错落有致的发音偶尔也能发现幽默的特征。在第二乐章中，有条不紊的非节拍印象派钢琴伴奏尤其将我们带入一种温柔的不确定状态，这种状态与田园诗般的旋律和自然主义的音乐意象交替出现。摘自作曲家理查德-罗斯勒（Richard Rößler，1880-1962 年）之孙亚历山大-罗斯勒教授的序言"

作曲家: Rossler, Richard
乐器: flute and piano
出版社: Musikverlag Zimmermann
原文简介:
An elegantly restrained air, which shifts between sweet gracefulness and the gentle melancholy of a lyrical Slavic melody, is juxtaposed with the light-footed gaiety of motoring ostinato tarantella phrases and developments of expansive dimensions and – particularly in adagio phrases – powerful crescendos. A humorous trait can also be found occasionally, for example in the capricious flute themes and the staccato articulations of the piano in the third movement of the suite, in which – of note from a structural point of view – there is a blend of the sonata and rondo form. In the second movement, the systematically off-beat, impressionistic piano accompaniment in particular brings us to a tender state of uncertainty, which alternates with the idyll of a pastoral melody and naturalistic musical imagery. – From the preface by Prof. Alexander Rößler, grandson of the composer Richard Rößler (1880-1962).