Sonatas 3 Sonatas ( D ,A, g ) 李希特．弗朗兹 奏鸣曲 奏鸣曲 长笛加钢琴 维也纳原典版

弗朗茨-哈维尔-里希特（Franz Xaver Richter，1709-1789 年）是曼海姆学派最重要的代表人物之一，曼海姆学派不仅影响了莫扎特，还影响了年轻的贝多芬，甚至影响了一些早期浪漫主义作曲家。里希特的室内乐在维也纳古典主义主要流派的演变过程中具有举足轻重的地位，从巴洛克三重奏奏鸣曲到古典弦乐四重奏的前身，里希特的室内乐都为我们指明了方向。里希特的长笛、大键琴伴奏和大提琴奏鸣曲是这条道路上的里程碑。这些作品继承了巴赫大键琴奏鸣曲的传统，可与巴赫之子卡尔-菲利普-伊曼纽尔（Carl Philipp Emanuel）的优秀作品相媲美。在这本 Wiener Urtext 版本中，我们精选了三首奏鸣曲，它们也可以用小提琴代替长笛演奏。如有必要，也可以不用大提琴演奏。苏珊娜-施拉格（Susanne Schrage）的诠释建议包括大量关于适当演奏风格和装饰音的建议，除了长笛演奏家之外，其他人可能也会感兴趣"

作曲家: Richter, Franz Xaver
编者: Reutter, Jochen
乐器: flute (violin), obligatory harpsichord (piano); cello ad libitum
出版社: Wiener Urtext Edition

曲目:
Sonate D-Dur - Sonate A-Dur - Sonate g-Moll

原文简介:
Franz Xaver Richter (1709-1789) is one of the most important representatives of what is known as the Mannheim School, a style that influenced not only Mozart, but also the young Beethoven and even some of the early Romantic composers. The significance of Richter’s chamber music in the evolution of the major genres of Viennese classicism deserves to be recognised, showing the way as it does from the Baroque trio sonata to the immediate forerunners of the classical string quartet. Richter’s sonatas for flute, harpsichord obbligato and cello are milestones on that road. These pieces were written in the tradition of J. S. Bach’s sonatas with harpsichord obbligato and can bear comparison with the best works of Bach’s son Carl Philipp Emanuel. In this Wiener Urtext edition we present a selection of three sonatas that can also be played with a violin in the place of the flute. The piece may also be performed without the cello if necessary. Susanne Schrage’s advice on interpretation includes plenty of suggestions for an appropriate style of performance and ornamentation, which may be of interest to others besides flautists.