Smart Dust for piano 钢琴 钢琴独奏 朔特版

能尘埃 "设备是一种微型无线微机电传感器（MEMS），能够感知从光到振动的一切。得益于硅处理技术的新发展，这些'微尘'虽然配备了传感器、电路、无线通信和电源，但体积却比沙粒还小。它们可以收集大量数据，进行计算，甚至可以在 300 米的距离内交换这些信息。如今，人们正在开发商业应用的可能性，例如用于寻找制造缺陷或照顾病人，当然，这种 "智慧尘埃"，这种几乎看不见的智慧尘埃，特别适合在战争中监视人和探测敌人的动向。也许有一天，我们擦掉眼睛上的一颗沙粒，就能摆脱一个潜在的观察者。它们是微小的细胞，能够相互通信，在它们之间建立网络，观察环境，最重要的是，它们可以从打开的窗户吹进房间而不被发现。音乐也是关于类似的微小细胞，关于钢琴的奇怪声音，"简单电路"，即重新传输的基本信息，来自日常城市环境的音乐主题，然后必须相互协调，并在听者头脑中的控制中心进行处理。无处不在的危险元素。在演奏这些小品的过程中，发动机的能量（来自电池的能量）会逐渐减少，信息流也会减慢。钢琴在演奏过程中失去了准备，各种元素变得更加可读、可听。就像一个 "智慧灰尘发射器 "落在了穆斯津的头巾上，而下一个发射器则落在了百米之外的迪斯科舞厅里。或者更妙的是：一个发射器在拉琴曼的乐谱上，下一个在阿尔沃-帕特的胡须上--托马斯-拉歇尔"

作曲家: Larcher, Thomas
乐器: piano
出版社: Schott Music
原文简介:
Smart Dust' devices are tiny wireless microelectromechanical sensors (MEMS) which are able to sense everything from light to vibrations. Thanks to new developments in silicon processing, these 'motes' are no larger than a sand grain even though they are provided with sensors, circuits, wireless communications and a power supply. They collect enormous amounts of data, perform calculations and are able to exchange such information even over distances of 300 metres. Today, one is developing commercial application possibilities, such as for the search for manufacturing defects or for the care of patients, but of course this 'Smart Dust', this barely visible intelligent dust, is particularly suited to spy on people and detect movements of the enemy in the case of war. Perhaps, one day, we will get rid of a potential observer when rubbing a sand grain from our eyes.They are tiny cells which are able to communicate with each other, build up a network among themselves, observe the environment and, above all, they can be blown through open windows into rooms without being noticed. The music too is about similar tiny cells, about strange sounds of a sound-reduced piano, 'simple circuits', i.e. basic information which are retransmitted, musical motifs from the everyday urban environment which then have to be aligned with each other and processed in a control centre, in the head of the listener. Omnipresent, dangerous elements. The motor energy (the power from the battery) decreases in the course of the little pieces, the flow of information slows down. The piano is deprepared during its course, the elements become more readable and audible. A broad stylistic expanse is traversed in a very brief space, as if a 'smart dust transmitter' lands on the turban of a muezzin and the next one a hundred metres farther in a discothèque. Or even better: one transmitter in a Lachenmann score, the next one in the beard of Arvo Pärt.- Thomas Larcher