Schumann in Endenich Chamber music No. 2 室内乐 双钢琴 朔特版
威廉-基尔迈耶（Wilhelm Killmayer）将一个音符作为这首作品的核心。罗伯特-舒曼（Robert Schumann）将其作为浪漫主义的起点，而威廉-基尔迈耶（Wilhelm Killmayer）却不允许自己自由发展诗意的旋律。正如舒曼刻意决定在恩德尼希精神病院的限制下生活一样，基尔迈耶偏爱非常有限的音调空间。钢琴声部中反复出现的几秒钟说明了这位患病作曲家生活中的困境。即使加入了电颤琴、邦戈鼓和康加鼓，最终也无法突破这些界限。唯一的选择就是向内寻求解脱。当钢琴与电弦琴之间的对话揭示出被重新定义的音色时，《恩德尼希的舒曼》就变成了一次进入神秘的人类同胞意识的旅程"
作曲家: Killmayer, Wilhelm
乐器: piano, elektrische organ (harmonium) and percussion (5 player)
出版社: Schott Music
原文简介:
Wilhelm Killmayer puts a single note at the heart of this composition. Butwhereas Robert Schumann took it as the starting point of his romanticism,Killmayer doesnt allow himself the freedom to develop poetic melodies. Just as Schumann deliberately decided to live within the constraints of a mental asylum in Endenich, Killmayer favours the constraints of a very limited tonal space. Recurring seconds in the piano part illustrate the confines in the life of the ill composer. Even the addition of a vibraphone,bongo and conga cannot overcome these boundaries in the end. The only option left is to look inwards for an escape. And when refined tone colours are revealed in a dialogue between piano and glockenspiel, Schumann in Endenich turns into a journey into the consciousness of an enigmatic fellow human being.