Piano Works Vol. 1 Works from 1961 to 1979 席威斯特洛夫 钢琴 钢琴独奏

本卷中的作品按时间顺序排列，并在一定程度上以其风格特征为基础。五首小品》（1961 年）、《三重奏》（1962 年）和《挽歌》（1967 年）被西尔维斯特罗夫回想起来时称之为 "抒情十二重奏"，这些作品都是在他熟悉 20 世纪音乐语言的短暂时期创作的。根据西尔维斯特罗夫的说法，随后的奏鸣曲（1972 年第一至三部、1975 年、1979 年）是在 "风格认同 "的指导下创作的。钢琴组曲《Kitschmusik》（1977 年）是他 "隐喻风格"（维-西尔维斯特罗夫）最令人印象深刻的作品之一。虽然这些作品来自不同的创作时期，但都展现了他独特的思维和作曲方式。这一点在他记谱的方式上显而易见，即使是时长、动态和节奏等领域最微小的细微差别。尤其值得注意的是他对踏板的使用：作曲家认为踏板可以作为一个独立的泛音声部发挥作用。本版对 20 世纪 60 年代创作的作品进行了修订。西尔维斯特罗夫晚期作品中出现的演奏标记（如 "leggiero "和 "dolce"），以及一些速度、力度和踏板标记都已添加"。(塔蒂亚娜-弗鲁姆基思）

作曲家: Silvestrov, Valentin
乐器: piano
出版社: M.P. Belaieff Musikverlag

曲目:
Sonata No 1 (1972) - Sonata No 2 (1975) - Sonata No 3 (1979) (all three Sonatas revised by the composer in 1999) - Five Pieces (1961; rev. 1999) - Triade (1962; rev. 1999) - Elegy (1967; rev. 1999) - Kitschmusik (1977)

原文简介:
The works in this volume are arranged in chronological order and to some extent on the basis of their stylistic character. Five Pieces (1961), Triad (1962) and Elegy (1967), which Silvestrov retrospectively calls “lyrical dodecaphony”, were composed in the short period in which he familiarized himself with the musical language of the 20th century. According to Silvestrov, the Sonatas (I-III 1972, 1975, 1979) which follow were written under the aegis of “stylistic identity”. The piano cycle Kitschmusik (1977) is one of the most impressive examples of his “metaphorical style” (V. Silvestrov). Although they come from various creative periods, the works all demonstrate his unique way of thinking and composing. This becomes apparent in the way he notates even the most minute nuances in the areas of duration, dynamics, and tempo. Particular attention must be paid to his use of the pedal: the composer is of the opinion that it plays a role as a separate overtone voice. In this edition the works composed in the 1960s have been revised. Performance marks which occur in Silvestrov’s later works (such as “leggiero” and “dolce”) have been added, as have a number of tempo, dynamic and pedal marks”. (Tatiana Frumkis)