Paganini Jazz op. 5c Variations on the Caprice No. 24 in the style of modern jazz 赛伊．法佐 爵士音乐 变奏曲 随想曲 风格 爵士音乐 钢琴独奏 朔特版

法兹尔-扎伊尔的音乐会曲目《帕格尼尼爵士乐》的灵感来自古典、现代和爵士风格，让人联想到斯科特-乔普林、阿特-塔图姆、格什温和伯恩斯坦等音乐大师的音乐，最初设计为一首迷人的安可曲（1988 年）。简而言之，在 1988 年至 1995 年期间，该作品经过了多次改写和扩充。我们可以认为，这部作品从帕格尼尼著名的《第 24 首随想曲》中汲取了灵感，将其改编为爵士乐变奏曲，需要演奏家的精湛演绎，同时也是一部可以加入即兴演奏和各种编曲的作品。李斯特、勃拉姆斯、拉赫玛尼诺夫和卢托斯拉夫斯基都是其中的佼佼者。然而，在扎伊尔的作品中，我们必须注意到一个不同的方面：作曲家准备在音乐会上演绎这部作品时加入各种发展段落和过渡即兴。此外，当该作品被视为一首简短的安可曲时，扎伊尔会以自己认为合适的方式对其进行缩写"

作曲家: Say, Faz?l
乐器: piano
出版社: Schott Music
原文简介:
The concert piece Paganini Jazz by Faz?l Say, which was inspired by classical, modern and jazz styles, is reminiscent of the music of such greats as Scott Joplin, Art Tatum, Gershwin and Bernstein, and was originally designed as a charming encore work (1988); following the appreciative response of music lovers and, in particular, that of music critics, it was transformed over a perion of time into a more substantial work for piano. Briefly, the piece was rewritten and expanded a number of times between 1988 and 1995. We can evaluate the work as having taken its inspiration from Paganini's renowned 24th Capriccio, transforming it into variations on jazz requiring virtuoso rendition as well as being a creation open to the addition of improvisations and a variety of arrangements.Throughout music history a number of composers have written various works inspired by the 24th Capriccio. We can count among them Liszt, Brahms, Rachmaninov and Lutoslavski. In Say's work, however, a different aspect must be noted: the composer is prepared to add various developmental passages and transitional improvisations while interpreting this work in concert. Furthermore, when the work is considered as a short encore piece, it is abbreviated in a manner deemed suitable by Say.