Monogramme 14 mood pieces 小品 钢琴独奏 柏特-柏克版

来自科隆的作曲家约克-霍勒（York Höller）在 1995 年至 2003 年间创作了 14 首要求极高的钢琴作品，这些作品不仅是音调图画，也是对他身边人的创作反思。之所以说它们是'单字'，是因为约克-霍勒经常选择献身者的音调字母作为音调形式的基础。例如，作曲家卡尔海因茨-施托克豪森、汉斯-维尔纳-亨泽和皮埃尔-布列兹的思想通过内部联系成为形式上强有力的、有时是沉思的对话，而最后一个乐章'扫描'将所有这些思想结合在一起，成为真正的压轴曲"

作曲家: Hoeller, York
乐器: piano
出版社: Bote & Bock

曲目:
Entrée - Initium, für Karlheinz Stockhausen - Widerhall, für Kristi Becker - Widmung, für Daniel Barenboim - Zwiegespräch, für Ursula - Artikulation , für György Ligeti - Frenesie - Gemäßigter Aufschwung - Verzweigung, für Pierre Boules - Tastengeläut - Elegia giocosa, für Hans Werner Henze - Lines and Shadows, für David Drew - Fluktuation, für Elena Bashkirova - Scanning

原文简介:
Between 1995 and 2003 the composer York Höller from Cologne created 14 highly demanding piano pieces which are not only tone pictures, but also compositional reflections on persons personally close to him. They are 'monograms' because Höller often chooses the tone letters of the dedicatees as a basis of his tonal form. Thus, thoughts of the composers Karlheinz Stockhausen, Hans Werner Henze and Pierre Boulez for example become a formally powerful, sometimes pensive dialogue by means of internal connections, and the last movement 'Scanning' with its combination of all these thoughts becomes a real finale.