Fantasia G major 梅卡旦特 幻想曲大调 长笛独奏 齐默尔曼版

梅尔卡丹特深受当时许多作曲家的尊敬。梅尔卡丹特在那不勒斯学校的老师们不仅提出了 "整个管弦乐队的效果应永远优先于单件乐器的效果 "的格言，还对室内乐表现出了极大的兴趣。与罗西尼、贝里尼和多尼采蒂不同，梅尔卡丹特在完成音乐培训后继续创作器乐曲。通过这种方式，他逐渐找到了自己的音乐语言，将音乐的抒情性和器乐的华丽性融为一体，同时也丰富了他对各种乐器的知识。本作品中的奏鸣曲和为长笛独奏而作的幻想曲（参见 ZZM 31140）均由第二支长笛或小提琴自由伴奏，反映了梅尔卡丹特多年来积累的丰富乐器知识"

作曲家: Mercadante, Saverio
编者: Petrucci, Gian-Luca
乐器: flute (2. flute or violin ad libitum)
出版社: Musikverlag Zimmermann
原文简介:
Mercadante was highly respected by many composers of his time. As well as postulating the maxim that the effect of an entire orchestra should always be given priority over the effect of a single instrument, Mercadante's teachers at the Neapolitan school also showed great interest in chamber music. In contrast to Rossini, Bellini and Donizetti, Mercadante continued to compose instrumental music after finishing his musical training. By doing so, he gradually found his own musical language which combined the pleasures of musical lyricism and instrumental bravura while also enlarging his knowledge of individual instruments. Both the fantasia presented here and the sonata (cf ZZM 31150) for solo flute with ad libitum accompaniment of a second flute or violin reflect the vast instrumental knowledge which Mercadante acquired over the years.