Et Exspecto Resurrectionem Mortuorum 梅湘 我期待死者的复活
t Exspecto Resurrectionem Mortuorum》创作于 1964 年,是奥利维耶-梅西安(Olivier Messiaen)的一首宗教作品,标题的意思是 "我等待着死者的复活"。受安德烈-马尔罗(André Malraux)委托,这首管弦乐曲长约 35 分钟,是为纪念世界大战中的死难者而作。 它有五个乐章: 一、"Des profondeurs de l'abîme, je crie versi, Seigneur: 阁下,请听我的声音!"" II. ""基督,复活的亡灵,不再死去;亡灵在他身上不再有帝国""。 III. ""黎明即将来临,亡者将听到上帝之子的声音......"" 四. ""他们重新唤醒,光荣地,用一个新的名字--在欢乐的万物音乐会和天空之子的欢呼声中......"" V.""Et j'entendis la voix d'une foule immense..."" 这是指挥家的乐谱,包括所有声部。 奥利维耶-梅西安(Olivier Messiaen,1908-1992 年)是法国风琴演奏家和作曲家,热衷于鸟类学,是本世纪最重要的作曲家之一。受日本音乐的启发,他的作曲方式非常特别,其作品的复杂性、二度性、有限转调的和声、色彩和加法节奏都能让人辨认出来。他创作了许多与鸟类学和鸟鸣有关的作品,包括 7 卷本的《鸟类目录》和 7 卷本的《节奏、色彩和鸟类学论文集》""
作曲家: Olivier Messiaen
乐器: Orchestra
出版社: Alphonse Leduc
曲目:
Et Expecto Resurrectionem
原文简介:
“Composed in 1964, Et Exspecto Resurrectionem Mortuorum is a religious piece by Olivier Messiaen which title means And I wait for the resurrection of the dead. Commissioned by André Malraux, this orchestra lasts approximately 35 minutes and was written for the commemoration of the dead in the world wars. It features five movements: I. ”“Des profondeurs de l'abîme, je crie vers toi, Seigneur: Seigneur, écoute ma voix!”“ II. ”“Le Christ, ressuscité des morts, ne meurt plus; la mort n'a plus sur lui d'empire.”“ III. ”“L'heure vient où les morts entendront la voix du Fils de Dieu...”“ IV. ”“Ils ressusciteront, glorieux, avec un nom nouveau -- dans le concert joyeux des étoiles et les acclamations des fils du ciel.”“ V. ”“Et j'entendis la voix d'une foule immense...”“ This is the conductor's score which includes all parts. Olivier Messiaen (1908-1992) was a French Organist and composer passionate about Ornithology and one of the most important composers of his century. Inspired by Japanese music, he had a very special way of composing and his work can be identified by its complexity, its diatonic aspect, its harmony with limited transposition, its colour and its additive rhythms. He composed many works related to ornithology and birdsongs, including the Bird Catalogue in 7 volumes and the Treatise on rhythm, colour and ornithology in 7 volumes.”