Enchiridion Little Pieces for piano 秦摩曼贝恩德 小品钢琴 钢琴独奏 朔特版

齐默尔曼曾说自己是 "来自莱茵河畔的僧侣和狄俄尼索斯的混合体"。各种类型的大型爆炸性作品与近乎禁欲主义的缄默保持着平衡。钢琴曲集《Enchiridion》的第二部分创作于 1952 年，副标题为 "Exertizien"（精神练习）。乐章标题 "Vigil"、"Hora "和 "Matutin "参考了修道院的 "时辰礼仪"，不过齐默尔曼特别提到，这套曲目的功能是 "研究富有表现力的演奏和触键"。齐默尔曼一生信奉天主教。他在晚年的许多作品上都刻上了耶稣会的座右铭 "一切为了上帝更大的荣耀"（Omnia ad maiorem Dei gloriam）的缩写 "O.A.M.D.G."

作曲家: Zimmermann, Bernd Alois
乐器: piano
出版社: Schott Music

曲目:
I Introduktion - II Ekloge - III Rondino - IV Bourrée - V Meditation - VI Aria - VII Estampida - VIII Toccata - IX Vigil - X Hora - XI Ostinato - XII Matutin - XIII Imagination - Appendix: Intermezzo - L'après-midi d'un Puck - Hommage à Johann Strauß

原文简介:
Zimmermann once characterised himself as being “a mixture of monk and Dionysos from the banks of the Rhine”. Large-scale, explosive works of all genres are balanced by an almost ascetic reticence. The second section of the collection of piano pieces entitled Enchiridion was composed in 1952 and is subtitled Exertizien [spiritual exercises]. The movement headings Vigil, Hora and Matutin make reference to the monastic Liturgy of the Hours, although Zimmermann specifically refers to the function of the cycle as “studies in expressive playing and touch”. Throughout his life, Zimmermann remained a religious individual shaped by Catholicism. He inscribed many of his later works with the abbreviation O.A.M.D.G., the Jesuit motto “Omnia ad maiorem Dei gloriam” [All for the greater glory of God].