Dört Sehir op. 41 (Four Cities) 赛伊．法佐 大提琴加钢琴 朔特版

兹尔说："《四城奏鸣曲》可视为安纳托利亚四城之旅。这部作品的灵感来自法兹尔-赛斯的回忆和他生活中的事件。众所周知，博德鲁姆是一座游客常去的城市，这使它与其他三座城市截然不同。在安纳托利亚近 2000 公里的广袤土地上，我们选择了这四座文化迥异的城市。西瓦斯西瓦斯位于安纳托利亚东部，是一座保守的城市，以拥有大量阿列维人而闻名。As¸?k Veysel 是一位阿列维诗人，Faz?l Say 从他的歌曲 Saz?m（我的萨兹/我的乐器）中获得灵感，创作了这部作品的第一部分。乐章在模仿这种民族乐器的忧郁音调中结束。Hopa 传统婚礼为法兹尔-扎伊尔提供了创作第二乐章的灵感，该乐章蕴含了东黑海文化。Horon》是用东黑海地区的一种典型乐器 kemence 演奏的 7/16 拍快速民族舞蹈。音乐还涉及高加索、格鲁吉亚和拉兹舞蹈、无名歌曲、拉兹妇女和 Cilveloy nanayda（一首土耳其歌曲）。安卡拉1923 年，阿塔图尔克宣布安卡拉为土耳其首都。这座拥有 400 万人口的城市是作曲家出生和度过童年的地方。安卡拉-塔斯特纳-巴克》（Ankaran?n Tas¸?na Bak）是一首可追溯到第一次世界大战时期的反叛歌曲，在哀伤的中段可以听得出来。乐章充满悲剧气氛，唤起了共和精神和旧时代的氛围。博德鲁姆博德鲁姆被誉为土耳其的圣特罗佩。市内一条著名的街道两旁有数不清的酒吧和酒馆，爵士乐、流行乐、摇滚乐和民歌等各种音乐在这里交织萦绕。Faz?l Say 将这些酒吧的音乐融合在这一乐章中，其中包括一个摇摆爵士乐节奏的步行主题。该乐章参考了著名歌手 Zeki Muren 演唱的歌曲《Y?ld?zlar?n Alt?nda》，而 Zeki Muren 也出生在博德鲁姆。As¸?k Veysels 的歌曲《Uzun Ince Bir Yolday?m》也在这一乐章中出现，这首歌在众多改编曲中都非常著名。这首曲子描绘了在这座城市中经常发生的酒馆斗殴事件，最后以荒诞不经的方式戛然而止"

作曲家: Say, Faz?l
乐器: cello and piano
出版社: Schott Music

曲目:
I Sivas - II Hopa - III Ankara - IV Bodrum

原文简介:
Faz?l Say’s “Four Cities” Sonata can be considered as a journey through four cities of Anatolia. This work has taken its inspiration from Faz?l Say’s memories and events of his life. Bodrum is well known as a city greatly frequented by tourists which sets it apart from the other three locations. These four very different cities with their individual cultures have been selected from the nearly 2000-km wide expanse of Anatolia. SivasSivas is a conservative city located in Eastern Anatolia which is known for its large Alevi population. As¸?k Veysel is an Alevi Ozan (poet) and Faz?l Say has been inspired by his song “Saz?m” (my saz/my instrument) in the first part of this work. The movement is concluded on a melancholy tone in imitation of this ethnic instrument. HopaA traditional wedding provided Faz?l Say with his inspiration for this second movement which embraces Eastern Black Sea culture. Horon is a very fast folk dance in 7/16 time which is played on the kemence, a typical instrument of the Eastern Black Sea region. The music also touches on Caucasian, Georgian and Laz dances, anonymous songs, “Laz women” and “Cilveloy nanayda” (a Turkish song). AnkaraAnkara was declared the capital city of Turkey by Atatürk in 1923. This city with its population of four million was where the composer was born and also spent his childhood. “Ankara’n?n Tas¸?na Bak”, a rebellious song dating back to the First World War, can be discerned in the mournful middle section. The movement with its atmosphere of tragedy evokes the republican spirit and the ambience of former times. BodrumBodrum is universally known as the Saint-Tropez of Turkey. A famous street in the city is fringed with countless bars and pubs from which a cacophony of different music can be heard, ranging from jazz, pop and rock to folk songs. Faz?l Say blends the sounds from these pubs in this movement which includes a walking theme in a swinging jazz tempo. The movement makes a reference to the song “Y?ld?zlar?n Alt?nda” which was performed by the famous singer Zeki Muren who was also born in Bodrum. As¸?k Veysel’s song “Uzun Ince Bir Yolday?m” which is wellknown in numerous arrangements is also featured in this movement. It is brought to an abrupt and absurd conclusion in its depiction of a pub brawl as frequently experienced in this city.