Contrapuntal Piano-Playing Playing with two independent voices 钢琴 人声 钢琴练习曲 朔特版
第一部分：对协奏曲的诠释对钢琴家提出了特殊的要求。令人惊讶的是，很少有作品集系统地论述这一重要主题。在这两本书中，弗里茨-埃蒙茨编写了一种'协奏曲钢琴演奏法'，可以在几年的钢琴教学中使用。第一册从简单的曲目开始（ostinato 形式、卡农、带低音的乐曲），带领我们学习简单的舞蹈动作，直到 J. S. 巴赫的《发明曲》。第二册提供了从巴洛克到浪漫主义的更高层次的曲目。这些作品被系统地分组，以区分三个声部的分配方式"
作曲家: Emonts, Fritz
乐器: piano
出版社: Schott Music
曲目:
Part 1: Pieces with ostination: F. Emonts: Three dances - F. Emonts: Two modern dances - C. Orff: Chaconne - Two-part canons: F. Emonts: Two-part canons - P. Hindemith: Kanon - Pieces with canonic part-writing: J. Pachelbel: Fuga - G.F. Händel: Fuge - W.Fr. Bach: Bourrée - J.S. Bach: Menuet A minor - Pieces with „Walking bass“: C.Ph.E. Bach: Menuetto - J.S. Bach: Menuett B major - J.C.F. Fischer: Gavotte - J.S. Bach: Gib dich zufrieden - J.S. Bach: Polonaise - Exercises for acquiring - Two preparatory exercises for Bach’s Invention in C major - 5 Inventions by J.S. Bach: No. 1 C major - No. 4 D minor - No. 8 F major - No. 10 G major - No. 13 A minor - Part 2: Selected pieces: a. Right hand plays two parts and left hand one: J. N. Hummel: Air Russe - J. Kuhnau: Sarabande - G.F. Händel: Fughette - J. G. Walther: Choral 'Mach's mit mir Gott, nach deiner Güth' - J.C.F. Bach: Trio - J. Pachelbel: Werde munter, mein Gemüte - G.F. Händel: Two Variations on an aria - J.S. Bach: Präludium - b. Right hand plays one part and left hand two: J. Duiphly: Rondeau - J. Pachelbel: Variationen über “Werde munter, mein Gemüte” - J.S. Bach: Anglaise - J.S. Bach: Sarabande - J.S. Bach: Choral “Wer nur den lieben Gott läßt walten” - c. Middle part shared by both hands: G.F. Händel: Gigue - F.W. Zachow: Choralpräludium “Vom Himmel hoch” - J.S. Bach: Sinfonia - W.A. Mozart: Courante - G.F. Händel: Sarabande - R. Schumann: Tune in canon - Exercices - Silent change of finger - Two voices in one hand - Exercises for the inaudible transfer of a melody from one hand to the other
Part 1: The interpretation of contrapuntal music makes particular demands on the pianist. Surprisingly there are very few collections which deal systematically with this important theme. In these two books Fritz Emonts has written a kind of 'Method of Contrapuntal Piano Playing' which may accompany piano tuition over a period of several years. Book 1 begins with easier pieces from the repertoire (ostinato forms, canons, pieces with walking bass) and takes us through easy dance movements up to the Inventions by J. S. Bach. Book 2 offers a selection of repertoire on a rather higher level, from Baroque to Romantic. The pieces are grouped systematically, to distinguish three ways in which parts are distributed.