Alla Turca Jazz op. 5b Fantasia on the Rondo from the Piano Sonata in A major K. 331 by Wolfgang Amadeus Mozart 赛伊．法佐 土耳其风的爵士音乐 幻想曲 回旋曲 钢琴奏鸣曲 大调 钢琴独奏 朔特版

沃尔夫冈-阿玛迪斯-莫扎特（Wolfgang Amadeus Mozart）的《A大调奏鸣曲KV 331》的最后乐章《土耳其回旋曲》（Rondo Alla Turca）是有史以来最著名的钢琴曲之一。法兹尔-扎伊尔的改编曲最初是作为有效的安可曲而创作的，后来也受到了人们的欢迎。法兹尔-扎伊尔的编曲最初是作为有效的安可曲目而创作的，在前八小节以原始形式呈现后，可以发现爵士乐的典型元素迭加在仍然可辨认的古典基础之上，如高音的切分音和通过半音阶蓝音进行的装饰，并嵌入时而狂热的半音阶链中。本着作品的即兴特点，扎伊尔喜欢以不同的组合方式演奏《阿拉-图尔卡爵士乐》，例如由爵士歌手或乐队伴奏。法兹尔-扎伊尔出生于土耳其，不巡演时仍居住在土耳其，他没有将莫扎特对真正土耳其音乐的诠释带回土耳其，这似乎有些奇怪，尤其是他的许多作品，如《黑土地》或《小提琴奏鸣曲》，都巧妙地融合了古典浪漫主义传统、土耳其民间音乐和爵士乐元素。2006 年在维也纳首演的芭蕾舞音乐《帕塔拉》在莫扎特的基础上进行了进一步的改编，以同一首 A 大调奏鸣曲（与《阿拉-图尔卡》的主题一样广受欢迎）第一乐章中类似洛可可的主题为基础进行创作，扎伊尔利用了《阿拉-图尔卡》中缺乏的联系，尽管方向相反。在芭蕾舞音乐中，钢琴象征着西方文化，而奈伊长笛则象征着东方文化，并通过朴素的打击乐器和女高音歌唱来传达气氛"

作曲家: Say, Faz?l
乐器: piano
出版社: Schott Music
原文简介:
The final movement of the Sonata in A major KV 331 by Wolfgang Amadeus Mozart, the Rondo Alla Turca, is one of the most famous piano pieces of all time. Once only familiar to musical experts, later a universal piece for all piano pupils, its opening melody is now even omnipresent as an alienated sinus tone-like mobile phone ring tone.Faz?l Say's arrangement, originally created as an effective encore, follows on from this popularity. After the first eight bars have been presented in original form, typical elements of jazz superimposed on the still recognisable classical foundations can be discovered, such as syncopation of the top notes and ornamentation through chromatic blue notes, embedded in the at times frenzied chains of semiquavers. In the spirit of the work's improvisatory character, Say likes to perfom his Alla Turca Jazz in different combinations, for example accompanied by jazz singers of with orchestra. It may appear strange that Faz?l Say, who was born in Turkey and - when not on tour - is still resident in that country, does not bring back Mozart's interpretation of genuine Turkish music closer to its own roots, particularly as many of his compositions such as Black Earth or the Violin Sonata are characterised by a subtle amalgamation of the Classical-Romantic tradition, Turkish folk music and elements of jazz. In a further Mozart arrangement, the ballet music Patara premiered in Vienna in 2006, composed on the basis of the Rococo-like theme from the first movement of the same A-major Sonata (wich enjoys almost as great popularity as the Alla Turca theme), Say utilised the connection which was absent in Alla Turca, albeit in the opposite direction. In the ballet music, the piano symbolises Western culture and the Ney flute Oriental culture, communcated atmosperically by austere percussion instrumentation and soprano vocalisation.