Adagio WoO 43b (179b) Arranged from the original for Mandolin and Piano 贝多芬 慢板 改编 曼陀林琴钢琴 大提琴加钢琴 朔特版

1796年，贝多芬前往布拉格，在那里结识了会演奏曼陀林的克拉里-阿尔德林根的约瑟芬伯爵夫人（后来的克拉姆-加拉斯伯爵夫人）。贝多芬为她创作了多首曼陀林和钢琴作品，其中四首现存于世，并由尤利乌斯-伯杰改编为大提琴和钢琴曲。由于贝多芬为曼陀林写的曲子调性为 G-D-A-E，因此将它们转录到大提琴上不成问题。这些改编曲均采用原调，并尽可能贴近原作。这些优雅的作品是闪闪发光的小宝石。奏鸣曲 "WoO 43a 以 "Adagio "为标题，起初为一个乐章，采用悲剧性的 C 小调，中间有明亮的 C 大调部分，随后是奇妙的 "Adagio ma non troppo "WoO 43b，具有宗教深度"

作曲家: Beethoven, Ludwig van
校订者: Berger, Julius
乐器: cello and piano
出版社: Schott Music
原文简介:
In 1796 Beethoven travelled to Prague where he met the Countess Josephine of Clary-Aldringen (later Countess Clamm-Gallas) who played the mandolin. For her, he wrote several works for mandolin and piano, four of which are still extant and have been arranged by Julius Berger for violoncello and piano. As Beethoven had written pieces for a mandolin tuned to G-D-A-E, it was unproblematic to transcribe them for the violoncello. The arrangements are written in the original keys and keep as close to the original as possible. These elegant works are little shining gems. Headed 'Adagio' and written in one movement at first, 'Sonatina' WoO 43a in the tragic C minor key with a bright C major section in the middle is followed by a marvellous 'Adagio ma non troppo' WoO 43b of religious depth.