6. Sinfonie Chinesische Lieder 彭德瑞兹基 歌曲 总谱 朔特版

交响乐的历史充满了奇闻异事，从篇幅极长的作品、为大量乐器配乐的作品到作者身份可疑的作品，不一而足。此外，还有一些著名的交响曲被标为第 0 号，一些作品交替使用或使用多个作品编号，还有大量'未完成'的交响曲。克里斯托夫-潘德列茨基（Krzysztof Penderecki）的《第六交响曲》（6. Sinfonie）也可归入此类，因为他的第七交响曲和第八交响曲早在几十年前就已完成。与前两部作品一样，这部作品的重点是元音。不过，这部作品是为较小的管弦乐团配乐的，具有更亲密的室内乐特征，有时比之前的作品更加忧伤。潘德列茨基曾宣布这部交响曲是他告别交响乐的作品，尽管我们从经验中得知，交响乐是无所不能的"

作曲家: Penderecki, Krzysztof
乐器: baritone and orchestra
出版社: Schott Music

曲目:
I Die geheimnisvolle Flöte (Li-Tai-Po) - II In der Fremde (Li-Tai-Po) - III Auf dem Flusse (Thu-Fu) - IV Die wilden Schwäne (Ly-Y-Han) - V Verzweiflung (Ly-Y-Han) - VI Mondnacht (Thang-Schi-Yie-Tsai) - VII Nächtliches Bild (Tschan-Jo-Su) - VIII Das Flötenlied des Herbstes (Thu-Fu)

原文简介:
The history of the symphony is full of curiosities, ranging from works that are extremely long or scored for extensive instrumental forces to those of dubious authorship. There are also famous symphonies labelled as No. 0, works with alternate or multiple opus numbers, and a wealth of ‘unfinished’ symphonies. Krzysztof Penderecki’s 6. Sinfonie can also be included in this category, since his Seventh and Eighth were completed decades ago.This work is comprised of eight songs on Chinese texts connected by solo intermezzos played on the Chinese stringed instrument, erhu. As in his two preceding works, the focus here is on vowels. This work, however, is scored for smaller orchestral forces and possesses a more intimate chamber music character, at times with greater melancholy than before. Penderecki has declared this symphony to be his farewell from the genre, although we know from experience that anything is possible with symphonies.