2 Nocturnes op. 9/2 - op. 27/2 肖邦 夜曲 小提琴加钢琴 朔特版

巴勃罗-德-萨拉萨蒂（Pablo de Sarasate，1844-1908 年）无疑是 19 世纪下半叶最重要、最成功的小提琴演奏家之一，他以精湛的演奏技艺和极富表现力的华彩乐章成为小提琴演奏界的不朽之作。他的音乐会曲目大多是他自己的作品，即使有不少作品是其他作曲家献给他的，也是为他量身定做的：如拉罗的《西班牙交响曲》、布鲁赫的《苏格兰幻想曲》以及圣桑和维尼亚夫斯基的小提琴作品。除了自己的作品，萨拉萨蒂还改编了其他作品供自己使用，如肖邦的两首 "夜曲"。对钢琴家来说，改编这样的名作似乎是一种亵渎，但萨拉萨蒂希望将一些最优美、最温柔的旋律赋予小提琴，因为他认为小提琴主要是一种歌唱乐器。或者他可能遗憾肖邦没有为小提琴和钢琴写过任何原创作品，但萨拉萨蒂的编曲弥补了这一缺憾"

作曲家: Chopin, Frédérice
编者: Birtel, Wolfgang / Eichhorn, Friedemann
校订者: Eichhorn, Friedemann / Sarasate y Navascuez, Martín Melitón Pablo de
乐器: violin and piano
出版社: Schott Music

曲目:
Nocturne, op. 9/2 - Nocturne, op. 27/2

原文简介:
Pablo de Sarasate (1844-1908), undoubtedly, is one of the most important and most successful violin virtuosos of the second half of the 19th century and has become immortal through his virtuoso and highly expressive bravura pieces in the world of violin playing. His concert programme mostly consisted of his own compositions, even if quite a few works had been dedicated to him by fellow composers and tailor-made for him: for example, 'Symphonie espagnole' by Lalo, 'Scottish Fantasia' by Bruch and violin works by Saint-Saëns and Wieniawski. Apart from works of his own, Sarasate also arranged other works for his own use, such as the two 'Nocturnes' by Frédéric Chopin. To pianists, it may seem like sacrilege to arrange such masterpieces but Sarasate wanted to subscribe some of the most beautiful and most tender melodies to the violin which he saw primarily as a vocal instrument. Or he might have regretted that Chopin had not written any original work for violin and piano – but here's Sarasate's arrangement to make up for this lack.