How to Approach Standards Chromatically Techniques of Superimposition 利伯曼

最完整的标准半音阶即兴演奏方法！戴维清楚地解释并演示了在标准和弦变化上进行半音迭加的艺术（以几首流行的爵士乐曲目为载体），从而演奏出具有现代感的爵士乐线条。包括 Girl from Ipanema、Donna Lee、Autumn Leaves、Take the A Train、Satin Doll、Rhythm and Blues Changes、Impressions、India、Loft Dance 和 A Love Supreme 的标准和迭加和声。CD 光盘中既有口头指导，也有戴维使用书中所述技巧对标准曲目进行的独奏。书中包含对每首独奏的分析，CD 上的独奏转录为所有 C、降 B 和降 E 乐器！How to Approach Standards Chromatically》是一本略有不同的随堂练习曲。书中收录了大量 Libbman 独奏曲的转录本，供学生学习和演奏。这本书的范围有点令人眼花缭乱：利布曼的方法是为学生提供十二首曲目和迭加概念，这些曲目在不协和食物链中层层递进。Libbman 在对比半音色彩方面所借鉴的材料包括上结构和弦、三度音关系、ii-V 取代、大台阶移动、侧滑、移动和弦循环、纯粹的音程思维以及其他高级概念。要从本书中获益，您不需要跟着 CD 逐音演奏。相反，您可以利用 Libbman 详尽的书面注释来帮助您识别和分析他在每个迭加进行中演奏的线条类型；然后尝试以类似的方式在进行中即兴演奏。中音/八音琴演奏者和其他乐器演奏者也可以参与其中，因为每首独奏和进行都以音乐会调、降B调和降E调转录。---Down Beat杂

作曲家: Liebman David
乐器: C, B-flat, E-flat instruments
出版社: Jamey Aebersold Jazz
难度: Advanced;
风格: Jazz; Standard
原文简介:
The most complete method for chromatic improvising over standards! David clearly explains and demonstrates the art of superimposing chords chromatically over "standard" chord changes (using several popular jazz favorites as his vehicles) to play contemporary sounding jazz lines. Includes standard and superimposed harmony for Girl from Ipanema, Donna Lee, Autumn Leaves, Take the A Train, Satin Doll, Rhythm and Blues Changes, Impressions, India, Loft Dance, and A Love Supreme. The CD contains both verbal instruction and David soloing over the standards using the techniques described in the book. The book contains analysis for each solo and the solos on the CD are transcribed for all C, B-flat, and E-flat instruments! "How to Approach Standards Chromatically is a slightly different kind of play-along. It's packed with transcriptions of Libbman solos which are meant to be studied, as much as played, by students. The scope of this book is a bit dizzying: Libbman's approach is to provide the student with twelve songs and superimposition concepts that progress up the dissonant food chain. The material Libbman draws upon for contrasting chromatic colors include upper structure chords, tritone relationships, ii-V substitutes, "Giant Steps" movement, side slipping, moving chord cycles, purely intervallic thinking, and other advanced concepts. To benefit from this book, you do not need to play along with the CD note-for-note. Rather, use Libbman's detailed written notes to help you recognize and analyze the kinds of lines he plays on each of the superimposed progressions; then try to improvise over the progressions in a similar vein. Alto/Bari players and other instrumentalists can also get in on the action, as each solo and progression are transcribed in concert key, B-flat and E-flat." ---Down Beat Magazine