Piano Concerto 提佩特 钢琴协奏曲 双钢琴 欧伊伦堡版

蒂皮特的钢琴协奏曲创作于1953年至1955年之间，可被视为20世纪中期对以往英雄式和打击乐协奏曲类型的评论和反动。其最初的灵感来自于蒂皮特于1950年在一场音乐会上听到吉塞金排练贝多芬第四钢琴协奏曲的第一乐章。蒂皮特后来在谈到自己的协奏曲的起源时写道："在贝多芬乐章异常诗意而又古典的演奏影响下，我发现自己被说服了，可以写一首当代的协奏曲，在其中再次发挥钢琴的诗意功能。除了自认为受到贝多芬的影响之外，正如蒂佩特自己所承认的，对协奏曲音乐语言的主要影响来自他自己刚刚完成的歌剧《仲夏的婚礼》。正如作曲家本人对他的协奏曲所评价的那样，'音乐是丰富的、线性的、抒情的，就像在那部歌剧中一样'"

作曲家: Tippett, Sir Michael
乐器: piano and orchestra
出版社: Ernst Eulenburg & Co. GmbH

曲目:
Preface - Allegro - non troppo - Molto lento e tranquillo - Vivace

原文简介:
Tippett’s Piano Concerto - written between 1953 and 1955 - may be seen as both a mid-20th-century commentary upon, and a reaction against, the former heroic and percussive concerto types. Its initial inspiration came when Tippett heard Gieseking rehearse the first movement of Beethoven’s Fourth Piano Concerto for a concert in 1950. Tippett later wrote of the genesis of his own concerto: ‘Under the influence of an exceptionally poetic yet classical performance of the Beethoven movement, I found myself persuaded that a contemporary concerto might be written, in which the piano is used once again for its poetic capabilities.’ Apart from the self-acknowledged Beethovenian influences, the main influence on the musical language of the concerto, as Tippett himself acknowledges, was his own opera The Midsummer Marriage, which he had just finished. As the composer himself comments on his concerto, ‘the music is rich, linear, lyrical, as in that opera.’