Passacailles 狄奥多拉奇斯 帕萨卡雅舞曲 双钢琴 朔特版

双钢琴帕萨卡illes》是作曲家在巴黎生活和学习期间（1954-60 年）创作的。在此期间，他的作曲技法以建立在基本旋律素材上的四和弦系统为主。帕萨卡illes》可视为这一时期狄奥多拉基思所偏爱的美学理论的典型范例，他将四和弦和仍然占主导地位的古典作曲技法融入了自己非常个人化的当代概念中。在这位重要的当代作曲家多样而广泛的作品中，两架钢琴产生的音景似乎在相互竞争，这无疑是最极端、最神秘的体验之一

作曲家: Theodorakis, Mikis
乐器: 2 pianos (4 hands)
出版社: Schott Music

曲目:
Prélude - Divertimento - Passacailles I-VI

原文简介:
The ‘Passacailles for two Pianos’ were written during the years (1954-60) when the composer lived and studied in Paris. During this period his compositional technique was dominated by a system of tetrachords built on the basic melodic material. The ‘Passacailles’ may be regarded as typical examples of the aesthetic doctrine favoured by Theodorakis during this period when he incorporated tetrachords and still dominant classical compositional techniques into his own very personal contemporary conception. The soundscape generated by the two pianos, seemingly in competition with each other, is certainly amongst the most extreme and most enigmatic experiences to be found in the diverse and wide-ranging œuvre of this important contemporary composer.