Monologe 秦摩曼贝恩德 独白 双钢琴 朔特版

1964年1月，贝恩德-阿洛伊斯-齐默尔曼（Bernd Alois Zimmermann）中断了歌剧《士兵》（Die Soldaten）的创作，重新编排了他的管弦乐作品《双钢琴对话》（Dialoge）。由此产生的《独白》继承了原作的素材，但又朝着不同的方向发展： 齐默尔曼以引文为基础的拼贴技术扩展到整个音乐背景，因此不仅莫扎特（C 大调钢琴协奏曲 KV 467）有发言权，贝多芬、梅西安和巴赫也有发言权。独白 "是为两位钢琴家创作的作品；这两位钢琴家虽然同时演奏，但[]并不总是在同一'时间'演奏；[]他们沉浸在自己的'思想'中"（齐默尔曼）"

作曲家: Zimmermann, Bernd Alois
乐器: 2 pianos (4 hands)
出版社: Schott Music

曲目:
I Quasi irreale - II ? = 85 - III ? = 80 - IV ? = 120 - ?= 80 - V 1/16 = 85

原文简介:
In January 1964 Bernd Alois Zimmermann interrupted the completion of hisopera Die Soldaten [The Soldiers] in order to rearrange his orchestral work Dialoge for two pianos. Monologe resulting therefrom takes up the original material but develops it towards a different direction: Zimmermann‘s collage technique based on quotations extends over the entire musical setting so that it is not only Mozart (Piano Concerto in C major KV 467) who has his say but Beethoven, Messiaen and Bach as well. 'Monologe – thisis a piece for two pianists; real monologues of these pianists who, thoughsimultaneously,[…] do not always play at the same 'time'; […] losing themselves in their 'own thoughts', as it were.' (Zimmermann)