Colloque No. 5, op. 19 op. 19 双钢琴 朔特版

Colloque, colloquy 或 symposium，是伊拉斯谟（Erasmus）的用语，当然也是柏拉图（Plato）和保罗-瓦雷里（Paul Valéry）的用语。 在这部作品中，没有人物之间的对话，而是乐器之间的对峙。 正因为如此，直到今天写成的六部作品都使用了非常不习惯的乐器。 其中四首使用了钢琴、管风琴和打击乐等不同的乐器：这么多相互矛盾的角色，每个都有自己的特点，坚定地表达着自己的想法，虽然也会相互影响。 例如，钢琴将其打击乐的力度传递给管风琴，而管风琴则将其穿透力和柔韧性以及声音的广度传递给钢琴。在第 5 号专辑中，钢琴和管风琴几乎是踮着脚尖一起进入，但彼此并不知晓，它们犹豫不决，轻声细语，就像两个人在寻找对方，同时又在回避对方，并对对方的主张或断言进行评论，整个过程中穿插着激烈的、有时是矛盾的插曲。 最后，一段精彩生动的哑剧将他们聚集在一起，然后开场人物突然返回。 哑剧再次出现，为这些对抗和修辞角斗画上句号"

作曲家: Guillou, Jean
乐器: piano and organ
出版社: Schott Music
原文简介:
Colloque, colloquy or symposium, is a term used in reference to Erasmus, but of course also to Plato and, closer to us, Paul Valéry. In this piece, instead of characters who speak to each other, there are instruments that confront each other. Because of this reason the six colloques written until today are using quite unhabitual instruments. Four of them use instruments as diverse as the piano, the organ and percussion: so many contradictory personages, each with its own character, firmly setting forth their ideas, though having some influence on each other as well. The piano for example communicates its percussive force to the organ and the organ lends the piano its penetrating and pliable gentleness, as well as its breadth of sound.In this Colloque no. 5 the piano and organ, almost on tiptoes, enter together but unbeknown to each other, hesitantly, softly, like two people looking for each other and at the same time avoiding each other and commenting on each other's propositions or assertions, the whole interspersed with vigorous and sometimes contradictory episodes. FInally, a brilliant, lively pantomine brings them together before the opening figure suddenly returns. The pantomime reappears to form the conclusion to these confrontations and rhetorical jousts.