Colloque No. 2, op. 11 op. 11 双钢琴 朔特版

乐器有自己的个性，它的声音可以激起反应，引起戏剧性的冲动，唤醒色彩和情绪；它能够表达和响应生活和精神中的所有问题。因此，当作曲家萌生将西方音乐世界中音域最丰富的两种乐器结合在一起的想法时，他想象它们在一场激情澎湃、盛况空前的对话中相互应答，就像两位传说中的神话英雄。他们的个性并没有融合，而是以这样一种方式对立或迭加：他们各自的频率和能量的释放导致了一首诗的创作，就像一个故事的出现和发展。"第二交响曲 "以钢琴和管风琴齐声发出的一种叹息开场：声音适度而平静，仿佛他们决定一起走一段路。但很快，钢琴的一声令下打破了宁静。随后，管风琴奏出沉重的进行曲，引出一个乐句，为无数的发展和变奏提供了主题。其中有些是修辞性的，有些则是戏剧性的，管风琴和钢琴轮番展现出或汹涌、或诱人、或温柔、或愤怒的特征。"这场戏剧的高潮时刻是管风琴的巨大和弦与钢琴的愤怒宣叙调交织在一起，这两种乐器的所有光彩都汇聚在一个最强音中"

作曲家: Guillou, Jean
乐器: piano and organ
出版社: Schott Music
原文简介:
A musical instrument has its own personality, with a voice that can provoke reactions, give rise to dramatic impulses and awaken colours and moods; it is capable of articulating and responding to all life's questions and those of the spirit. When the composer had the idea of bringing together two instruments with the richest range of sounds in the Western musical world, he therefore imagined them answering one another in a passionate and eventfull colloquy, like two legendary mythological heroes.They are indeed opposed in character, with contrasting voices that cannot match one another in timbre. Their personalities do not blend; they are opposed or superimposed in such a way that their respective frequencies and the release of their energy leads to the creation of a poem, as a story emerges and develops.This Colloque No. 2 opens with a kind of sigh emitted by the piano and organ in unison: there is a modest and calm regularity to the sound, as though they had decided to walk a little way together. Soon, though, the peace is troubled by a command from the piano. This is followed by a kind of heavy march on the organ, introducing a musical phrase that is to provide the motif for numerous developments and variations. Some of these are rhetorical, some of them dramatic, as the organ and the piano take turns at displaying features that may be menacing, seductive, tender or furious.The culminating moment in this drama is when immense chords are head from the organ over a furious declamation from the piano, with all the brillance of these two instruments combined in a fortissimo.The conclusion takes the form of that same timid and languorous sigh, in the course of which the two protagonists unfurl their lyrical and tender replies.