Classical pieces 古典小品 双长笛 齐默尔曼版

这里介绍的所有乐曲都选自 18 世纪的克利须尔文学作品。其中三首乐曲分别由法国钢琴家库佩兰（Couperin）、达金（Daquin）和拉莫（Rameau）创作，由于双手使用的音域基本相同，因此只能在双手动乐器上演奏。泰勒曼的 "Largo "选自《E大调幻想曲》，该曲属于大键琴 36 首幻想曲之列。与法国乐曲截然不同的是，这首乐曲的两个声部功能相反：第一声部演奏旋律，第二声部演奏类似低音提琴的伴奏--这种角色分工在巴赫《安娜-玛格达莱娜-巴赫注释集》中的《加沃特舞曲》和《小步舞曲》中也能找到。海登创作的两首乐曲是钢琴奏鸣曲中的乐章。除海登的小步舞曲外，所有乐曲都经过移调，以适应长笛的音域"

校订者: Geller, Doris
乐器: 2 flutes
出版社: Musikverlag Zimmermann
原文简介:
All of the pieces presented here were taken from 18th century clavier literature. The three pieces written by the French clavier players Couperin, Daquin, Rameau can only be played on a two-manual instrument, because both hands largely use the same tonal range. The Largo by Telemann was taken from the Fantasia in E major which belongs to a group of 36 Fantasies for harpsichord. Quite contrary to the French pieces, the two parts have opposite functions here: while the first part plays the melody, the second performs a figured bass-like accompaniment - a splitting of roles that can also be found in Bach's Gavotte and Minuet from the Note Book for Anna Magdalena Bach. The two pieces composed by Haydn are movements from the piano sonatas. Except for Haydn's Minuet, all pieces were transposed to adapt them to the tonal range of the flute.