Sonata composed in the old style for King Ludwig II of Bavaria (first edition) 奏鸣曲 风格 咏唱调 双小提琴

巴伐利亚国王路德维希二世曾为其著名的私人演出委托创作了三部历史芭蕾舞剧。这些芭蕾舞剧的主题是法国国王路易十四和路易十五的宫廷庆典，在庆典期间，两位国王分别举行了舞会和牧羊人游戏。路德维希二世要求他的芭蕾舞剧在所有情节细节上都要严格遵守历史原貌。音乐也必须完全符合当时的风格。慕尼黑作曲家马克斯-曾格（Max Zenger，1837-1911 年）被委托创作音乐，因为他被认为是一位杰出的古乐鉴赏家。尽管曾格对理查德-瓦格纳的音乐颇有微词，但国王还是很喜欢他，并于 1882 年任命他为巴伐利亚皇家音乐教授。这首奏鸣曲是芭蕾舞剧《爱神与赛琪》的一部分，最初由十二页纸演奏，既可以作为小提琴二重奏，也可以使用弦乐组演奏。这首奏鸣曲难度中等，是 19 世纪末历史主义音乐的有趣范例

作曲家: Zenger, Max
编者: Muenster, Robert
乐器: 2 violins
出版社: Musikverlag Robert Lienau
原文简介:
For his now famous private performances, King Ludwig II of Bavaria commissioned three historical ballets. The subjects of these ballets were festivities held at the court of the French Kings Louis XIV and Louis XV, during which the respective kings held dances and shepard’s games. Ludwig II required in his ballets the strictest adherance to historical exactitude in all details of the plot. The music too was expected to be exactly in the style of the time. The Munich composer Max Zenger (1837-1911) was entrusted with the commission for the composition of the music because he was considered an outstanding connoisseur of older music. Despite of the fact that Zenger stood rather critical towards the music of Richard Wagner the King liked him and named him Royal Bavarian Professor of Music in 1882. This sonata is part of the ballet Amor and Psyche, played originally by twelve pages, it can be performed both as a violin duet and using section strings. It is of intermediate difficulty and an interesting example of historicist music at the end of the 19th century.