Early Start on the Cello, Volume 4 -A cello method for children- A cello method for children 大提琴 骑熊士版
第四册由大提琴专家迈克尔-科尔森（Michael Corssen）编写，几乎完全用于演奏位置。第 2、3 和 4 号位置通过熟悉的曲目和令人愉悦的短小独奏曲进行介绍和训练，其中一些曲目是贝托尔德-胡梅尔（Bertold Hummel）专为本册编写的。位置的变化首先在乐曲中用记号标出，以便进行明确的练习。为此，本册提供了各种建议，鼓励学习者从不同角度来应对这一技术挑战，并进行富有想象力的练习。最后，本教程还介绍了 5 号和 6 号位置的练习。第四册还介绍了次中音谱号，并讲解了如何制作和声"
作曲家: Saßmannshaus, Egon / Corßen, Michael
乐器: 2 cellos 双大提琴
出版社: Bärenreiter 骑熊士(小熊版)
原文简介:
Volume 4, prepared by cello specialist Michael Corssen, is devoted almost exclusively to playing in positions. Positions 2, 3 and 4 are introduced and trained using familiar songs and delightful short recital pieces, some of them specially written for the volume by Bertold Hummel. Changes of position are first marked with a sign in the music so that they can be explicitly practiced. The volume provides varied suggestions for this purpose, encouraging learners to approach this technical challenge from different angles and to practice with imagination. The tutor is rounded off with an excursion into positions 5 and 6. Volume 4 also introduces the tenor clef and explains how to produce harmonics.
By now learners have reached a level of achievement that allows them to venture into the 'genuine' cello literature, partially while studying Volume 4. Additional material can be found, for example, in Sebastian Lee's “Forty Easy Etudes”, op. 70 (BA 9401), and David Popper's “Fifteen Easy Melodic-Harmonic Etudes”, op. 76, no. 1 (BA 6979). After this, the collection “Concert Pieces for Cello and Piano” (BA 9695) and the series Bärenreiter's Concert Pieces, likewise edited by Christoph Sassmannshaus, contain many musically rewarding pieces that form a bridge to the standard repertoire of the cello.
The authors
In 1976 Egon Sassmannshaus, one of the most experienced and renowned violin teachers in Germany, published his tutor “Früher Anfang auf dem Cello”. This standard work for young string players quickly became the most popular and best-selling tutor in the German-speaking countries for beginners on this instrument. His son-in-law Michael Corssen, the co-author of Volumes 3 and 4, is a baroque cellist and conductor who heads a music school in the German state of North Rhine-Westphalia. Egon Sassmannshaus's son, Kurt Sassmannshaus, functioned as co-editor of the English-language edition, “Early Start on the Cello” (BA 8996, BA 8997, BA 8998, BA 8999), adapting his father's successful tutor to meet the needs and requirements of English-speaking children.
The combined knowledge and experience of the Sassmannshaus/Corssen family make these four volumes the most thoroughly researched and thought-through cello tutor for beginners all over the world.