Concerto for Trombone and Orchestra Piano Reduction 协奏曲 长号 管弦乐团钢琴

卡齐米日-塞罗基思的《长号协奏曲》是 20 世纪欧洲音乐会上为数不多的为长号而作的作品之一。协奏曲》创作于 1953 年，当时正值东欧国家文化的困难时期，尤其是社会主义现实主义思潮盛行。政治因素的压力导致战后波兰艺术的发展严重滞后，有效地抑制了任何旨在使其现代化的倾向。当时，在我国音乐界，对新古典主义美学的强烈依恋根深蒂固，这一点在《长号协奏曲》中也有所体现。塞洛克基的作品与传统模式的唯一区别在于其结构，由四个结构段（而非三个）组成。作曲家的这一改动并没有改变各个乐章在乐曲整体构建过程中的作用。此外，长号演奏技巧的特殊性并不允许演奏家表现出精湛的技艺，因此作曲家将独奏家与乐队之间的竞争改为他们之间的合作[......] T. Chylinska, S. Haraschin, M. Jablonski： T. Chylinska, S. Haraschin, M. Jablonski: Przewodnik po muzyce koncertowej (Guide to Concert Music), (Part II, PWM Edition, Krakow 2004)。该协奏曲由 Juliusz Pietrachoqicz 于 1954 年 12 月 18 日在华沙由华沙爱乐乐团首次演奏"

作曲家: Kazimierz Serocki
乐器: Trombone; Piano Accompaniment
出版社: PWM Edition
原文简介:
Kazimierz Serockis “Concerto for Trombone” is one of the few 20th-century European concert items intended for trombone. The Concerto was composed in 1953 – thus, in a difficult time for the culture of the countries in the East bloc, especially marked by the ideology of socialist realism. The pressure of political factors caused a great delay in the development of post-war Polish art, effectively damping any tendencies aiming to modernize it. In the music of our country, there took root at that time a strong attachment to the neoclassical aesthetic that also revealed itself in the Trombone Concerto, which is maintained, in its stylistic aspect, within the bounds of a convention typical of that genre. The only element differentiating Serocki's work from the traditional pattern is its structure, comprising four structural segments (instead of three). The modification introduced by the composer did not result in changes in the roles of the individual movements in the process of building the piece as a whole. The peculiar character of trombone-playing technique, furthermore, does not permit virtuosic elements to be displayed – the composer therefore replaced rivalry between the soloist and the orchestra with collaboration between them [...] T. Chylinska, S. Haraschin, M. Jablonski: Przewodnik po muzyce koncertowej (Guide to Concert Music), (Part II, PWM Edition, Krakow 2004). The Concerto was performed for the first time by Juliusz Pietrachoqicz on 18 December 1954 in Warsaw, by tne Warsaw Philharmonic Orchestra.