Songs without Words 门德尔颂菲利克斯 无言歌 骑熊士版

范妮-门德尔松在 1828 年收到了弟弟费利克斯作为生日礼物赠送的一首抒情钢琴曲；他将这首曲子写在了她的音乐专辑中，她称之为 "无言歌"（Lied ohne Worte）。门德尔松一生都在创作这样的钢琴曲，"真正的音乐，能让人的灵魂充满无数比语言更美好的东西"。从 1832 年到 1845 年，他自己就有六部作品集付梓。另有两部作品集收录了作曲家未发表的作品，已于死后出版"

作曲家: Mendelssohn Bartholdy, Felix
校订者: Todd, R. Larry
乐器: piano 钢琴
出版社: Bärenreiter 骑熊士(小熊版)
原文简介:
Fanny Mendelssohn received a lyrical piano piece as a birthday present from her brother Felix in 1828; he wrote it out in her music album, and she called it “Lied ohne Worte ” (Song without Words). Mendelssohn wrote such songs for piano, “true music, which fill a person’s soul with a thousand better things than words”, throughout his life. He himself saw six collections into print between 1832 and 1845. Two further collections containing pieces from the composer’s unpublished works were published posthumously.

As suited their character, Mendelssohn’s “Lieder ohne Worte ” were primarily rooted in domestic music-making in the home, in the middle-class parlours, between comfortable paintings and Biedermeier furnishings. Increasingly they came to be heard in the concert hall. In addition, travelling virtuosi took up these rather reserved pieces, helped popularise them and made them into what they still are today – pillars of the repertoire.

This edition includes all the collections printed during Mendelssohn’s lifetime, together with those published posthumously. The appendix also contains a selection of the “Lieder ohne Worte ” which have survived individually, including two pieces which have not been available in modern editions until now.

The editor R. Larry Todd is regarded as one of the most renowned Mendelssohn scholars. He is well-known for both his numerous editions of the composer’s works and an extensive monograph.

Matthias Kirschnereit has made a name as a pianist in recent years through his interpretations of Mozart, and particularly for his magnificent recording of Mendelssohn.

- Includes two pieces which have not previously been available in modern editions

- Critical Edition of one of Mendelssohn’s major works

- Detailed foreword (Eng/Ger), Critical Commentary (Eng) and facsimiles

- With fingerings by the noted Mendelssohn interpreter Matthias Kirschnereit