Petrie's Complete Irish Music

1792年7月，爱德华-邦廷在贝尔法斯特的一次传统竖琴演奏家聚会上受命写下曲调。这个天真无邪的开端标志着长达 100 年的重要进程的开始：保存一个国家的音乐，否则这些音乐可能会永远失传。随着时间的推移，班廷将火炬传给了学徒乔治-皮特里（George Petrie），后者又在爱尔兰旋律保护与出版协会的成立过程中发挥了重要作用，该协会于 1855 年出版了皮特里的第一部作品集。最后，皮特里的女儿委托备受尊敬的查尔斯-斯坦福爵士将她父亲的作品装订成三卷，最终于 1905 年出版了这本包含 1582 首传统旋律的作品集，这是一个民族的音乐财富。乔治-皮特里（George Petrie）根据原稿记录的《爱尔兰音乐全集》（三卷本，最初由伦敦爱尔兰文学社于 1902 年至 1905 年间完成）一卷本未经删节的多佛再版。查尔斯-维利尔斯-斯坦福的序言。皮特里博士的导言。索引。注"

乐器: Voice
出版社: Dover Publications
风格: Folk
原文简介:
Edward Bunting fell into his destiny when, at the age of 19, he was commissioned to write down the tunes performed at a gathering of traditional harp players in Belfast in July 1792. This innocent beginning signaled the start of a 100-year process of enormous importance: the preservation of a country's music, which otherwise might be lost forever. In time, Bunting passed the torch to apprentice George Petrie who, in turn, became instrumental in founding the Society for the Preservation and Publication of the Melodies of Ireland, which published Petrie's first collection in 1855. Finally, it was Petrie's daughter who entrusted the much-honored Sir Charles Stanford with three bound volumes of her father's work, leading to the ultimate compilation, published in 1905, of 1,582 traditional melodies -- the musical wealth of a nation. Unabridged Dover republication, in one volume, of The Complete Collection of Irish Music as Noted by George Petrie from the Original Manuscripts -- the three-volume set originally completed by the Irish Literary Society of London between 1902 and 1905. Preface by Charles Villiers Stanford. Dr. Petrie's Introduction. Index. Note.