New-Orleans for Saxhorn Basse (or Tuba or Bass Trombone) and Piano 低音号(含钢琴伴奏)

20 世纪 20 年代至 30 年代，欧仁-博扎在巴黎音乐学院屡获殊荣，后来指挥了科米克歌剧院管弦乐团，并成为瓦朗谢讷音乐学院院长。作为古典音乐前线的重要人物，博扎的作品深受听众欢迎，其中《新奥尔良》在低音铜管乐曲目中很受欢迎。博扎的这首低音铜管乐钢琴伴奏曲创作于 1962 年。这首曲子最初是为低音萨克斯号创作的，但由于低音萨克斯号日渐式微，博扎又将其改编为低音长号和大号。新奥尔良深受该市爵士乐文化的影响。正如音乐教育家保罗-格里菲斯（Paul Griffiths）在谈到博扎的作品时写道："他的作品展现了流畅的旋律、优雅的结构以及对乐器能力的一贯敏感关注"。为低音长号、大号或低音萨克斯管和钢琴而作的《新奥尔良》在这些乐器的曲目中仍然很受欢迎，并经常被列入试奏大纲中，是有抱负的低音铜管乐演奏家的必备曲目"

作曲家: Eugène Bozza
乐器: Tuba; Bass Trombone; Piano Accompaniment
出版社: Alphonse Leduc

曲目:
New Orleans Pour Saxhorn Basse

原文简介:
Having won many prizes at the Paris Conservatoire during the 1920s-1930s, Eugène Bozza went on to conduct the orchestra of the Opéra-Comique and to become Head of the Conservatoire in Valenciennes. As a major figure on the classical music frontline, Bozza's compositions were well-received by audiences, New Orleans being popular in the bass brass repertoire. This Bozza piece for bass brass with piano accompaniment was written in 1962. It was orginally composed for bass saxhorn but since the instrument was falling into obscurity, Bozza also adapted it for bass trombone and tuba. New Orleans is influenced by the jazz culture of the city. As music educationalist, Paul Griffiths has written of Bozza's compositions, “his works reveal melodic fluency, elegance of structure and a consistenly sensitive concern of instrumental capabilities.” New Orleans for bass trombone, tuba, or bass saxhorn and piano remains popular in the repertoire of the instruments and is often included in audition syllabuses, making it essential to aspiring performers of bass brass.