Double Bass Concerto Double Bass with Piano Reduction 协奏曲 钢琴 低音大提琴(含钢琴伴奏) 亨乐版

继迪特斯多夫（51480759）和霍夫迈斯特（51480721）之后，约翰-巴蒂斯特-范哈尔（Johann Baptist Vanhal）和他唯一的低音提琴协奏曲为亨勒目录中的古典低音提琴文献再添亮点。这部精湛的作品仅在著名低音提琴演奏家约翰内斯-斯佩尔格（Johannes Sperger，1750-1812 年）的遗产中发现了其拥有的一个部分的复制品，由于独奏部分有许多后来添加的内容（尤其是八度转调），因此引起了一些疑问。在亨勒的Urtext版本中，托比亚斯-格洛克勒（Tobias Glöckler）为这一难题提出了解决方案，并为演奏家精心准备了音乐文本。钢琴缩写本用两个调（C 大调和 D 大调）印刷，可以在独奏和管弦乐中随意演奏。此外，还特别设计了以指法记谱法编写的附加部分，用于演奏凡哈尔时代惯用的 "维也纳调式"。它让演奏者无需进行繁琐的再训练，就能立即使用这种具有历史共鸣的调式"

作曲家: Johann Baptist Vanhal
校订者: Tobias Glöckler
乐器: Double Bass; Piano Accompaniment
出版社: G. Henle Verlag
原文简介:
Following Dittersdorf (51480759) and Hoffmeister (51480721), Johann Baptist Vanhal and his sole double-bass concerto add a further highlight to the classical bass literature in Henle's catalog. The virtuoso work was transmitted only in a copy of a part owned by the famous double-bass player Johannes Sperger (1750-1812) and found in his estate, which raises a few questions on account of the many later additions in the solo part (especially concerning the octave transpositions). In Henle's Urtext edition, Tobias Glöckler proposes a solution to this dilemma with a musical text that is outstandingly well-prepared for the performing artist. The piano reduction is printed in two keys (C and D major), which allows for performances in the solo and orchestral tuning or, at will. Moreover an additional part, written in fingering notation, has been specially designed for use with the “Viennese tuning” customary in Vanhal's days. It allows players to use this resonant historical tuning immediately without tedious retraining.